"Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1996. With this song being about 5 minutes long, at 4:54, "Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace" by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 18 in the song's album "Respighi: The Fountains of Rome; The Pines of Rome; Ancient Airs and Dances - Suite III / Boccherini: Quintettino / Albinoni: Adagio in G Minor". In this album, this song's track order is #12. In terms of popularity, Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Antiche danze ed arie per liuto, Suite III, P. 172: 4. Passacaglia. Maestoso - Vivace by Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: IV. I pini della Via Appia | Ottorino Respighi, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B Major | 1 | 1B | 120 BPM | ||
Orfeo Ed Euridice: Dance of the Blessed Spirits (Act II) | Christoph Willibald Gluck, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Symphony No.7 In E Major - Ed. Haas: 4. Finale. Bewegt, doch nicht schnell | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 117 BPM | ||
Ancient Airs And Dances, Suite No. 1, P. 109: IV. Passo mezzo e Mascherada | Ottorino Respighi, Orpheus Chamber Orchestra | D Major | 2 | 10B | 117 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo | Hector Berlioz, Daniel Barenboim, Berliner Philharmoniker | A Major | 1 | 11B | 167 BPM | ||
Symphony No. 6 in F Major, Op. 68 - "Pastoral": III. Lustiges Zusammensein der Landleute. Allegro | Ludwig van Beethoven, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 3 | 3A | 93 BPM | ||
Symphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Enigma Variations: Variation I. C.A.E - L'istesso tempo | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 72 BPM | ||
Mahler: Symphony No. 2, "Resurrection": V. (c) Maestoso, sehr züruckhaltend - Allegro energico - Kräftig - Wieder etwas gehaltener - Mit einem Male etwas wuchtiger - | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | B♭ Major | 3 | 6B | 63 BPM |