"Enigma Variations: Variation I. C.A.E - L'istesso tempo" by Edward Elgar, Sir Colin Davis, London Symphony Orchestra was released on June 5, 2007. With Enigma Variations: Variation I. C.A.E - L'istesso tempo being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Enigma Variations: Variation I. C.A.E - L'istesso tempo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Variation I. C.A.E - L'istesso tempo by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 6, The Fight | Sergei Prokofiev, André Previn, London Symphony Orchestra | E Minor | 4 | 9A | 77 BPM | ||
Symphony No. 6 in D Major, Op. 60: II. Adagio | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 0 | 4B | 82 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: IV. Allegro con brio | Dmitri Shostakovich, André Previn, William Vacchiano, New York Philharmonic, Leonard Bernstein | G Major | 2 | 9B | 124 BPM | ||
Sibelius : Symphony No.5 in E flat major Op.82 : II Andante mosso, quasi allegretto | Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 0 | 9B | 142 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 3 | 7B | 83 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: I. Nocturne. Moderato | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Symphony No. 5, "The Reformation", Op. 107: III. Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | G Minor | 0 | 6A | 110 BPM | ||
Symphony No. 1 in D Minor, Op. 13: III. Larghetto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 75 BPM | ||
The Imitation Game | Alexandre Desplat, London Symphony Orchestra | F Minor | 3 | 4A | 104 BPM |