Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance

Sergei Prokofiev, André Previn, London Symphony Orchestra
Prokofiev: Romeo and Juliet
2:08 1973日
テンポ
83
キー
F Major
キャメロットミュージックキー
7B

リンクを埋め込む

共有

Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance - Sergei Prokofiev, André Previn, London Symphony Orchestra 情報

音響性
97%
ダンサビリティ
41%
エネルギー
28%
手段性
83%
活気
12%
ラウドネス
68%
話し言葉
4%
価数
58%
人気
ラウドネス
-19.248 dB

まとめ

Sergei Prokofiev, André Previn, London Symphony Orchestra made "Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance" available on 1973. The duration of Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Prokofiev: Romeo and Juliet". In this album, this song's track order is #4. Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance テンポ

With Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance by Sergei Prokofiev, André Previn, London Symphony Orchestra having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance キー

This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

おすすめの曲

TrackArtistKeyEnergyCamelotBPM
Violin Concerto, Op.15: 2. Vivace by Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo JärviViolin Concerto, Op.15: 2. VivaceBenjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo JärviA Minor28A101 BPM
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto by Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraSuite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giustoChristian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony OrchestraA Minor28A106 BPM
Scheherazade Op. 35: III. The Young Prince and the Young Princess by Nikolai Rimsky-Korsakov, André Previn, London Symphony OrchestraScheherazade Op. 35: III. The Young Prince and the Young PrincessNikolai Rimsky-Korsakov, André Previn, London Symphony OrchestraD Major210B173 BPM
Symphony No. 5: II. Scherzo. Presto misterioso by Ralph Vaughan Williams, Richard Hickox, London Symphony OrchestraSymphony No. 5: II. Scherzo. Presto misteriosoRalph Vaughan Williams, Richard Hickox, London Symphony OrchestraC Minor15A123 BPM
Rhapsodie Orientale, Op. 29: 1. Andante by Alexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitRhapsodie Orientale, Op. 29: 1. AndanteAlexander Glazunov, Orchestre Symphonique de Montréal, Charles DutoitD♭ Major03B89 BPM
Symphony No. 5, Symphony No. 5, "The Reformation", Op. 107: III. AndanteFelix Mendelssohn, London Symphony Orchestra, John Eliot GardinerG Minor06A110 BPM
Haydn: Symphony No. 104 in D Major, Hob. I:104 Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - AllegroFranz Joseph Haydn, André Previn, Pittsburgh Symphony OrchestraD Major210B119 BPM
Coppelia: Act I - Scene by Léo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaCoppelia: Act I - SceneLéo Delibes, Slovak Radio Symphony Orchestra, Andrew MogreliaF Major07B137 BPM
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied by Richard Strauss, Berliner Philharmoniker, Herbert von KarajanAlso sprach Zarathustra, Op.30, TrV 176: Das GrabliedRichard Strauss, Berliner Philharmoniker, Herbert von KarajanF♯ Minor111A93 BPM
La Damnation de Faust, Op.24 / Part 1: Marche hongroise by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisLa Damnation de Faust, Op.24 / Part 1: Marche hongroiseHector Berlioz, London Symphony Orchestra, Sir Colin DavisA Major311B90 BPM
ISRC
This song does not have an ISRC.
レコードレーベル
L-M Records/RCA Records