Sergei Prokofiev, André Previn, London Symphony Orchestra made "Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance" available on 1973. The duration of Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 52 in the song's album "Prokofiev: Romeo and Juliet". In this album, this song's track order is #4. Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 4, Morning Dance by Sergei Prokofiev, André Previn, London Symphony Orchestra having a テンポ of 83 with a half-time of 42 テンポ and a double-time of 166 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto, Op.15: 2. Vivace | Benjamin Britten, Janine Jansen, London Symphony Orchestra, Paavo Järvi | A Minor | 2 | 8A | 101 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): III. Tempo giusto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 106 BPM | ||
Scheherazade Op. 35: III. The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | D Major | 2 | 10B | 173 BPM | ||
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Symphony No. 5, "The Reformation", Op. 107: III. Andante | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner | G Minor | 0 | 6A | 110 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | F Major | 0 | 7B | 137 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Grablied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 1 | 11A | 93 BPM | ||
La Damnation de Faust, Op.24 / Part 1: Marche hongroise | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 3 | 11B | 90 BPM |