Richard Wagner, Dunja Vejzovic, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan made "Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden"" available on January 1, 1981. Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. This song is part of Wagner: Parsifal by Richard Wagner, Berliner Philharmoniker, Herbert von Karajan. The song's track number on the album is #5 out of 38 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden"'s popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden" by Richard Wagner, Dunja Vejzovic, Peter Hofmann, Berliner Philharmoniker, Herbert von Karajan has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Parsifal, WWV 111 / Act II: "Wehe! Was tat ich? Wo war ich?" - "Bekenntnis wird Schuld in Reue enden" being at 125 テンポ, the half-time would be 62 テンポ with a double-time of 250 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.9 In D / 2. Satz: A tempo II | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 131 BPM | ||
Das Rheingold, WWV 86A / Scene 2: "Ein Runenzauber zwingt das Gold zum Reif" | Richard Wagner, Eberhard Wächter, Set Svanholm, George London, Waldemar Kmentt, Kirsten Flagstad, Kurt Böhme, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 78 BPM | ||
Falstaff / Act 2: "Gaie comari di Windsor!" | Giuseppe Verdi, Adrianne Pieczonka, Stella Doufexis, Larissa Diadkova, Dorothea Röschmann, Berliner Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 92 BPM | ||
La Bohème / Act 2: "Quando m'en vo'" (Musetta's Waltz) | Giacomo Puccini, Elizabeth Harwood, Michel Sénéchal, Mirella Freni, Luciano Pavarotti, Nicolai Ghiaurov, Rolando Panerai, Gianni Maffeo, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 71 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Estuans interius | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Christian Gerhaher, Sir Simon Rattle | E Minor | 2 | 9A | 99 BPM | ||
Rusalka, Op. 114 / Act 3: Aj, aj? Uz jsi se navrátila | Antonín Dvořák, Dolora Zajick, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | C Major | 2 | 8B | 87 BPM | ||
Carmen (1997 - Remaster), Act III: Quant au douanier, c'est notre affaire | Georges Bizet, Maria Callas, Nadine Sautereau, Jane Berbié, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F♯ Major | 2 | 2B | 131 BPM | ||
Puccini: Turandot, Act 2 Scene 2: "In questa Reggia, or son mill'anni e mille" (Turandot, La Folla, Calaf) | Giacomo Puccini, Birgit Nilsson, Francesco Molinari-Pradelli, Orchestra Del Teatro Dell'Opera Di Roma | D Minor | 0 | 7A | 83 BPM | ||
Das Lied von der Erde: 2. Der Einsame im Herbst | Gustav Mahler, Christa Ludwig, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 71 BPM | ||
Puccini: Madama Butterfly, Act 1: "Dovunque al mondo" (Sharpless, Pinikerton, Chorus) | Giacomo Puccini, Mario Borriello, Coro Del Teatro Alla Scala Di Milano, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano, Renato Ercolani | D♭ Major | 3 | 3B | 69 BPM |