Lennox Berkeley, Sinfonia Of London, John Wilson's 'Divertimento, Op.18: I. Prelude. Moderato' came out on February 9, 2024. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Ravel, Berkeley, Pounds: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Divertimento, Op.18: I. Prelude. Moderato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Divertimento, Op.18: I. Prelude. Moderato by Lennox Berkeley, Sinfonia Of London, John Wilson having a テンポ of 119 with a half-time of 60 テンポ and a double-time of 238 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Locus Iste, WAB 23: Locus iste, WAB 23 | Anton Bruckner, SWR Vokalensemble Stuttgart, Marcus Creed | C Major | 0 | 8B | 75 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Sonatina for Flute & Guitar, Op. 205: I. Allegretto grazioso | Mario Castelnuovo-Tedesco, Irene Kalisvaart, Britta Jacobs | C Major | 1 | 8B | 118 BPM | ||
Stabat Mater: V. Andantino - Eia Mater, fons amoris | Lennox Berkeley, The Marian Consort, Berkley Ensemble, David Wordsworth, Rory McCleery | G Major | 1 | 9B | 75 BPM | ||
Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato | Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | F Major | 0 | 7B | 109 BPM | ||
Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B Major | 1 | 1B | 173 BPM | ||
Pender Island | Shaya Lambert, João Marcondes, Sonoras | B Major | 0 | 1B | 87 BPM | ||
Rêverie | Fernand de la Tombelle, Munich Radio Orchestra, Herve Niquet | E Major | 1 | 12B | 99 BPM | ||
Winterreise, Op. 89, D. 911 (Arr. for Horn, Cello & Piano by Timothy Jones): No. 21, Das Wirtshaus | Franz Schubert, Josephine Knight, Simon Crawford-Phillips, Timothy Jones | E Major | 0 | 12B | 115 BPM | ||
Stabat Mater: III. Adagio - Quis et homo qui non fleret | Lennox Berkeley, The Marian Consort, Berkley Ensemble, David Wordsworth, Rory McCleery | G Major | 1 | 9B | 75 BPM |