"Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato" by Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero was released on June 18, 2021. With this song being about 5 minutes long, at 5:05, "Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato" by Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Violin on Stage by Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero. The song's track number on the album is #13 out of 14 tracks. In terms of popularity, Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato by Henryk Wieniawski, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Fantasia on Themes from Gounod's 'Faust', Op. 20: IV. Moderato being at 109 テンポ, the half-time would be 54 テンポ with a double-time of 218 テンポ.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 5/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | C Minor | 1 | 5A | 109 BPM | ||
L'École moderne - Études-Caprices, Op. 10: Le Staccato | Henryk Wieniawski, Justyna Jara | D Major | 1 | 10B | 122 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 4 Mazeppa (Presto) | Franz Liszt, Daniil Trifonov | A Major | 3 | 11B | 106 BPM | ||
Violin Concerto No. 3 in G Major, K. 216: II. Adagio | Wolfgang Amadeus Mozart, Arabella Steinbacher, Festival Strings Lucerne (musical direction), Lucerne Festival Strings, Daniel Dodds | D Major | 0 | 10B | 88 BPM | ||
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
3 Romances sans paroles, Op. 7: 2. Désespoir | Henri Vieuxtemps, Janine Jansen, Antonio Pappano | A♭ Major | 5 | 4B | 100 BPM | ||
Beethoven: String Quartet No. 7 in F Major, Op. 59 No. 1, "Razumovsky": IV. Allegro (Russian Theme) | Ludwig van Beethoven, Quatuor Ébène | F Major | 3 | 7B | 118 BPM | ||
Violin Concerto, Op. 14: III. Presto in moto | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | A Minor | 3 | 8A | 108 BPM | ||
Russian Romance: P.Chernyetsky | Mela Tenenbaum | C Minor | 1 | 5A | 81 BPM | ||
Sonata For Violin And Piano No.9 In A, Op.47 - "Kreutzer": 3. Finale (Presto) | Ludwig van Beethoven, Vadim Repin, Martha Argerich | E Major | 5 | 12B | 134 BPM |