"3 Romances sans paroles, Op. 7: 2. Désespoir" by Henri Vieuxtemps, Janine Jansen, Antonio Pappano was released on September 10, 2021. The duration of 3 Romances sans paroles, Op. 7: 2. Désespoir is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. 3 Romances sans paroles, Op. 7: 2. Désespoir's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 12 Stradivari, so we believe that "3 Romances sans paroles, Op. 7: 2. Désespoir" is a single. In terms of popularity, 3 Romances sans paroles, Op. 7: 2. Désespoir is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Romances sans paroles, Op. 7: 2. Désespoir by Henri Vieuxtemps, Janine Jansen, Antonio Pappano is Andante (at a walking pace), since this song has a tempo of 100 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Messa da Requiem, Sequenza: Quid sum miser | Giuseppe Verdi, Antonio Pappano, Anja Harteros, Sonia Ganassi, Rolando Villazón, René Pape, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia | C Major | 3 | 8B | 119 BPM | ||
Puccini: Tosca, Act 3: "Com'è lunga l'attesa!" (Tosca) | Giacomo Puccini, Antonio Pappano, Angela Gheorghiu, Orchestra of the Royal Opera House & Covent Garden | C Major | 1 | 8B | 121 BPM | ||
Valses nobles et sentimentales, M.61: 5. Presque lent - dans un sentiment intime | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | A♭ Minor | 0 | 1A | 76 BPM | ||
Mythes, Op. 30: 1. La fontaine d'Aréthuse | Karol Szymanowski, Janine Jansen, Antonio Pappano | D♭ Major | 1 | 3B | 102 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Martha Argerich, London Symphony Orchestra, Claudio Abbado | A♭ Major | 1 | 4B | 111 BPM | ||
Rachmaninov: Symphony No. 2 in E Minor, Op. 27: II. Allegro molto | Sergei Rachmaninoff, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F Major | 1 | 7B | 142 BPM | ||
Romances sans paroles, Op. 8: I. Allegro ma non troppo | Henri Vieuxtemps, Philippe Koch, Luc Devos | B Major | 2 | 1B | 131 BPM | ||
Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 | Anton Bruckner, Fumiko Shiraga | F♯ Major | 0 | 2B | 71 BPM | ||
Tchaikovsky: Symphony No. 4 in F Minor, Op. 36: II. Andantino in modo di canzona | Pyotr Ilyich Tchaikovsky, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | B♭ Minor | 0 | 3A | 66 BPM | ||
Messa da Requiem, Sequenza: Rex tremendae | Giuseppe Verdi, Antonio Pappano, Anja Harteros, Sonia Ganassi, Rolando Villazón, René Pape, Orchestra dell' Accademia Nazionale di Santa Cecilia, Roma, Coro dell'Accademia Nazionale Di Santa Cecilia | C Major | 3 | 8B | 119 BPM |