"Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117" by Anton Bruckner, Fumiko Shiraga was released on November 1, 2001. With this song being about 5 minutes long, at 5:16, "Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117" by Anton Bruckner, Fumiko Shiraga is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 11 in Bruckner: Piano Works by Anton Bruckner, Fumiko Shiraga. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Erinnerung, WAB 117: Erinnerung in A-Flat Major, WAB 117 by Anton Bruckner, Fumiko Shiraga is Adagio (slowly with great expression), since this song has a tempo of 71 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psalm 150 for Soprano, Chorus and Orchestra | Anton Bruckner, Ruth Welting, Chicago Symphony Orchestra, Daniel Barenboim, Chicago Symphony Chorus | C Major | 3 | 8B | 78 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Messe en mi mineur: Messe en mi mineur: Benedictus. Moderato | Anton Bruckner, Collegium Vocale Gent, Ensemble Musique Oblique, Philippe Herreweghe, La Chapelle Royale | C Major | 0 | 8B | 59 BPM | ||
Concerto No. 2 for Piano and Orchestra, Op. 102 (Remastered): II. Andante | Dmitri Shostakovich, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
L'Ondine, Op. 101 | Cécile Chaminade, Anette Muller-Roos | E♭ Major | 1 | 5B | 80 BPM | ||
Lyric Pieces, Op. 38: VIII. Kanon - Allegretto con moto | Edvard Grieg, Javier Perianes | E♭ Minor | 0 | 2A | 82 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Symphony No. 4 in E Flat Major "Romantic", WAB 104: III. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) | Anton Bruckner, Berliner Philharmoniker, Eugen Jochum | D♭ Major | 2 | 3B | 103 BPM | ||
Wie bist Du, Frühling, gut und treu | Anton Bruckner, Philipp Sonntag, Robert Holzer, Thomas Kerbl, Regina Riel, Martin Kiener, Daniel Pannermayr, Isabell Czarnecki De Czarnce, Christian Schmidbauer | E Major | 4 | 12B | 133 BPM | ||
Lyric Pieces Book IV, Op. 47: No. 3 Melodie | Edvard Grieg, Emil Gilels | D Minor | 0 | 7A | 73 BPM |