Henryk Wieniawski, Justyna Jara's 'L'École moderne - Études-Caprices, Op. 10: Le Staccato' came out on January 1, 2022. The duration of L'École moderne - Études-Caprices, Op. 10: Le Staccato is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. L'École moderne - Études-Caprices, Op. 10: Le Staccato's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Henryk Wieniawski, Justyna Jara, Wojciech Koprowski's "Henryk Wieniawski: Études-Caprices, Opp. 10 & 18" album is number 4 out of 16. On top of that, Poland appears to be the country where this track was created. Based on our statistics, L'École moderne - Études-Caprices, Op. 10: Le Staccato's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'École moderne - Études-Caprices, Op. 10: Le Staccato by Henryk Wieniawski, Justyna Jara to be Allegro (fast, quick, and bright) because the track has a tempo of 122 テンポ, a half-time of 61テンポ, and a double-time of 244 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie Espagnole In D Minor, Op.21: 3. Intermezzo (Allegretto non troppo) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 1 | 8A | 115 BPM | ||
Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Berceuse, Op. 20 | Eugène Ysaÿe, María Dueñas, Wiener Symphoniker, Manfred Honeck | E Minor | 0 | 9A | 131 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
Duo Concertant for 2 Violins No. 3 in D-Sharp Major, Op. 57: III. Allegretto | Charles-Auguste de Bériot, Bohumil Kotmel, Pavel Hula | A Major | 1 | 11B | 125 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
Grandes Etudes de Paganini, S.141: No.4 In E Major | Franz Liszt, Daniil Trifonov | E Major | 1 | 12B | 86 BPM | ||
Henryk Wieniawski: Kujawiak in A minor (arr. Marek Pasieczny) | Marek Pasieczny, Henryk Wieniawski, Krzysztof Pełech | A Minor | 2 | 8A | 84 BPM |