Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit's 'Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco' came out on October 17, 1995. With Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Vieuxtemps/Lalo Violin Concertos by Sarah Chang, Philharmonia Orchestra, Charles Dutoit, Concertgebouworkest. The song's track number on the album is #4 out of 9 tracks. Based on our statistics, Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco by Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit has a tempo of 138 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco being at 138 テンポ, the half-time would be 69 テンポ with a double-time of 276 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Fantasy, Op. 25: IV. Allegro moderato | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | A Major | 1 | 11B | 103 BPM | ||
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 66 BPM | ||
Schumann: Piano Concerto in A Minor, Op. 54: II. Intermezzo. Andante grazioso | Robert Schumann, Otto Klemperer, Annie Fischer, Philharmonia Orchestra | F Major | 0 | 7B | 84 BPM | ||
Concerto in D Minor: II. Adagio | Benedetto Marcello, John Anderson, Simon Wright, Philharmonia Orchestra | D Minor | 1 | 7A | 64 BPM | ||
Grieg: Violin Sonata No. 3 in C Minor, Op. 45: II. Allegretto espressivo alla Romanza | Edvard Grieg, Renaud Capuçon, Khatia Buniatishvili | E Major | 1 | 12B | 79 BPM | ||
II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Sarah Chang, London Symphony Orchestra, Sir Colin Davis | E♭ Major | 0 | 5B | 65 BPM | ||
Suite For Violin And String Orchestra, Op. 117: 1. Country Scenery | Jean Sibelius, Esther Yoo, Philharmonia Orchestra, Vladimir Ashkenazy | B♭ Major | 2 | 6B | 126 BPM | ||
Paganiniana (Variations) For Violin Solo | Nathan Milstein | A Minor | 1 | 8A | 104 BPM | ||
Winterreise, Op. 89, D. 911: No. 24, Mut (Arr. T. Zimmermann and H. Holl) | Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll | D Major | 1 | 10B | 106 BPM | ||
Farewell to Stromness (Arr. for Orchestra) | Peter Maxwell Davies, Philharmonia Orchestra, Christopher Warren-Green | D Major | 0 | 10B | 59 BPM |