"II. Canzonetta (Andante)" by Pyotr Ilyich Tchaikovsky, Sarah Chang, London Symphony Orchestra, Sir Colin Davis was released on January 1, 1993. Since II. Canzonetta (Andante) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Tchaikovsky Violin Concerto". In this album, this song's track order is #2. II. Canzonetta (Andante) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With II. Canzonetta (Andante) by Pyotr Ilyich Tchaikovsky, Sarah Chang, London Symphony Orchestra, Sir Colin Davis having a テンポ of 65 with a half-time of 32 テンポ and a double-time of 130 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Melodie | Christoph Willibald Gluck, Sarah Chang, Charles Abramovic | D Minor | 1 | 7A | 92 BPM | ||
Pezzo capriccioso for Cello and Orchestra, Op. 62 | Pyotr Ilyich Tchaikovsky, Stéphane Tétreault, Fabien Gabel, Orchestre Symphonique De Québec | B Minor | 1 | 10A | 74 BPM | ||
Symphony No. 3 in C minor 'Organ' Op. 78 (1989 Digital Remaster): II. Allegro moderato - | Camille Saint-Saëns, Christopher Robinson/City of Birmingham Symphony Orchestra/Louis Frémaux, Louis Frémaux, City Of Birmingham Symphony Orchestra | A♭ Major | 2 | 4B | 84 BPM | ||
From Holberg's Time, Op. 40: I. Praeludium: Allegro vivace | Edvard Grieg, Moscow Soloists, Yuri Bashmet | G Minor | 1 | 6A | 117 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 167: I. Allegretto | Camille Saint-Saëns, Martin Fröst, Roland Pöntinen | E♭ Major | 0 | 5B | 131 BPM | ||
Violin Concerto in A minor, Op. 53: 3. Finale (Allegro giocoso, ma non troppo) | Antonín Dvořák, Salvatore Accardo, Royal Concertgebouw Orchestra, Sir Colin Davis | G Major | 1 | 9B | 140 BPM | ||
Meditation: Méditation from Thaïs | Jules Massenet, Nicola Benedetti, London Symphony Orchestra, Daniel Harding | E Minor | 1 | 9A | 89 BPM | ||
Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 170 BPM | ||
Cello Concerto in E Minor, Op. 85: I. Adagio - Moderato | Edward Elgar, Yo-Yo Ma, André Previn, London Symphony Orchestra | E Minor | 0 | 9A | 86 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act II: No. 14, Scene. Moderato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Minor | 2 | 9A | 78 BPM |