"Winterreise, Op. 89, D. 911: No. 24, Mut (Arr. T. Zimmermann and H. Holl)" by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll was released on January 1, 1991. With Winterreise, Op. 89, D. 911: No. 24, Mut (Arr. T. Zimmermann and H. Holl) being less than two minutes long, at 1:21, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 52 in the song's album "Schubert, F.: Winterreise". In this album, this song's track order is #24. Furthermore, we believe that the track originated from United States. In terms of popularity, Winterreise, Op. 89, D. 911: No. 24, Mut (Arr. T. Zimmermann and H. Holl) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Winterreise, Op. 89, D. 911: No. 24, Mut (Arr. T. Zimmermann and H. Holl) by Franz Schubert, Peter Härtling, Tabea Zimmermann, Hartmut Höll having a テンポ of 106 with a half-time of 53 テンポ and a double-time of 212 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Wiegenlied (Lullaby), Op. 98, No. 2, D. 498 (arr. for violin and piano) | Anonymous, Franz Schubert, Takako Nishizaki, Terence Dennis | G Major | 1 | 9B | 81 BPM | ||
11 Bagatelles, Op. 119: No. 5 in C Minor. Risoluto | Ludwig van Beethoven, Steven Osborne | F Minor | 1 | 4A | 137 BPM | ||
Romance In B Flat Major, Op. 28 : Romance | Gabriel Fauré, Pascal Devoyon, Dong-Suk Kang | A Major | 2 | 11B | 89 BPM | ||
Violin Concerto No. 1 in F Sharp Minor, Op.14 (1985 - Remaster): III. Rondo (Allegro giocoso) | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | F♯ Minor | 1 | 11A | 105 BPM | ||
Schwanengesang, D. 957: No. 4. Standchen (arr. for string ensemble) | Anonymous, Franz Schubert, Budapest Strings, Béla Bánfalvi | D Major | 0 | 10B | 170 BPM | ||
Rhapsody In G Minor, Op.79, No.2 | Johannes Brahms, Radu Lupu | C Major | 1 | 8B | 140 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 1. Presto | Franz Joseph Haydn, Alfred Brendel | E Minor | 2 | 9A | 140 BPM |