"Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms" by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä was released on March 8, 2024. The duration of Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "Stravinsky: Petrushka; Debussy: Jeux, Prélude". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. The popularity of Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petrushka, K12 (1947 Version): IVe. Dance of the Coachmen and the Grooms by Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä having a テンポ of 173 with a half-time of 86 テンポ and a double-time of 346 テンポ, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oedipus Rex: Epilogue | Igor Stravinsky, Joseph Cornwell, Edward Fox, Andrew Greenan, Martyn Hill, Jennifer Lane, David Wilson-Johnson, Simon Joly Male Chorus, Philharmonia Orchestra, Robert Craft | D♭ Major | 6 | 3B | 90 BPM | ||
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
Revolución diamantina, Act III: Borders and bodies | Gabriela Ortiz, Los Angeles Philharmonic, Gustavo Dudamel, Los Angeles Master Chorale | D Minor | 1 | 7A | 74 BPM | ||
The Young Person's Guide to the Orchestra, Op. 34: III. Variations E-H, Strings. Brillante, alla polacca - Meno mosso - Cominciando lento ma poco a poco accelerando | Benjamin Britten, Sir Simon Rattle, London Symphony Orchestra | B Major | 0 | 1B | 124 BPM | ||
L'Oiseau de feu (1911 Version): XIII. Arrivée de Kastchei lIimmortel - Dialogue de Kastchei avec Ivan Tsarevitch - Intercession des princesses | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Major | 0 | 6B | 77 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM | ||
Introduction et air suédois, Op. 12: Introduktion | Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra | D Major | 2 | 10B | 132 BPM | ||
Cinderella: 7. Cinderella, once more sitting by the fireside | Eric Coates, BBC Philharmonic Orchestra, John Wilson | G Major | 0 | 9B | 148 BPM |