Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra's 'Introduction et air suédois, Op. 12: Introduktion' came out on April 1, 2018. With Introduction et air suédois, Op. 12: Introduktion being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 17 in Crusell: Clarinet Concertos by Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Introduction et air suédois, Op. 12: Introduktion's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Introduction et air suédois, Op. 12: Introduktion by Bernhard Henrik Crusell, Michael Collins, Swedish Chamber Orchestra is Allegro (fast, quick, and bright), since this song has a tempo of 132 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fountains of Rome, P. 106: II. The Triton Fountain in the Morning | Ottorino Respighi, Orchestra Sinfonica Nazionale Della RAI, Robert Trevino | C Major | 1 | 8B | 66 BPM | ||
Fantasia for Cello & Orchestra, W454: III. Allegro expressivo | Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo | E♭ Major | 1 | 5B | 133 BPM | ||
Introduction & Variations on "Trockne Blumen", Op. 160, D. 802 (Arr. for Flute & String Quintet by Anonymous): Var. 5 | Franz Schubert, Krzysztof Kaczka, Metropolitan Opera Orchestra | E Major | 1 | 12B | 105 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: III. Allegro maestoso II | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | B♭ Major | 1 | 6B | 137 BPM | ||
Die schöne Müllerin, Op. 25, D. 795: XII. Pause (adapted for Flute and Piano) | Franz Schubert, Nadia Labrie, Mathieu Gaudet | E Major | 2 | 12B | 130 BPM | ||
La Mezquita II | Christian Lindberg, Pacho Flores, Swedish Chamber Orchestra | A♭ Major | 7 | 4B | 150 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
Trombone Concertino in E-flat Major, Op. 4: I. Allegro maestoso VII | Ferdinand David, Christian Lindberg, Swedish Chamber Orchestra | B♭ Major | 3 | 6B | 94 BPM | ||
Sonate pour basson, Op. 168: III. Adagio | Camille Saint-Saëns, Marc Trenel, Pascal Godart | C Major | 0 | 8B | 73 BPM | ||
Clarinet Concerto: III. Andantino | Jean Françaix, Orchestra della Svizzera Italiana, Alain Lombard, Paolo Beltramini | A Minor | 0 | 8A | 107 BPM |