"Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song)" by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger was released on January 1, 2007. The duration of Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger's "Koechlin: Les Heures Persanes, Op. 65Bis" album is number 9 out of 16. Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) by Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger to be Andante (at a walking pace) because the track has a tempo of 86 テンポ, a half-time of 43テンポ, and a double-time of 172 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Intimate Sketches: No. 13, Lord Jesus Christ is Born | Leoš Janáček, Olena Kushpler | B♭ Major | 1 | 6B | 99 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Poulenc: Concerto for Two Pianos in D Minor, FP 61: I. Allegro ma non troppo | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | E♭ Major | 1 | 5B | 103 BPM | ||
Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 6, Boire à l'ombre, en été | Charles Koechlin, Nicola Woodward | A Minor | 0 | 8A | 62 BPM | ||
Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 20, Heureux petit Berger | Charles Koechlin, Nicola Woodward | E Minor | 0 | 9A | 70 BPM | ||
Piano Trio No. 1 in D Minor, Op. 49: II. Andante con moto tranquillo | Felix Mendelssohn, Yo-Yo Ma, Itzhak Perlman, Emanuel Ax | B♭ Major | 0 | 6B | 63 BPM | ||
Ma mère l'oye, M. 62: Tableau VI: Le jardin feerique | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | C Major | 0 | 8B | 42 BPM | ||
Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM |