Charles Koechlin, Nicola Woodward made "Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 6, Boire à l'ombre, en été" available on October 16, 2020. With Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 6, Boire à l'ombre, en été being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Charles Koechlin, Nicola Woodward's "Koechlin: Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique"" album is number 6 out of 32. Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 6, Boire à l'ombre, en été is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Les chants de nectaire, Series 2, Op. 199 "Dans la forêt antique": No. 6, Boire à l'ombre, en été by Charles Koechlin, Nicola Woodward to be Larghetto (rather broadly) because the track has a tempo of 62 テンポ, a half-time of 31テンポ, and a double-time of 124 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): IV. Fileuse - Allegretto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 0 | 9B | 90 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Sonatine francaise, Op. 60: No. 1: I. Canons | Charles Koechlin, Tal & Groethuysen | E Major | 0 | 12B | 99 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: I. Russian: Allegretto | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 0 | 8A | 87 BPM | ||
4 Vocalises, Op. 212 (arr. L. Lencses): Vocalise No. 1 | Lajos Lencsés, Charles Koechlin, Toulouse National Chamber Orchestra, Alain Moglia | A Minor | 1 | 8A | 0 BPM | ||
Beau soir, L. 6 (L. 84) (Arr. Heifetz for Violin and Piano) | Claude Debussy, Lisa Batiashvili, Yannick Nézet-Séguin | F Minor | 1 | 4A | 79 BPM | ||
Música callada, Book 1: No. 3, Placide | Federico Mompou, Lilit Grigoryan | B♭ Major | 1 | 6B | 70 BPM | ||
Fantasy in C Major, Op. 15, D. 760, "Wandererfantasie" (arr. C. Koechlin): I. Allegro con fuoco ma non troppo | Franz Schubert, Charles Koechlin, Florian Hoelscher, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Major | 1 | 9B | 129 BPM | ||
12 Etudes, Op. 8 (1894): No. 4 Piacevole | Alexander Scriabin, Alexander Paley | B Major | 0 | 1B | 64 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM |