"Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe" by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy was released on March 29, 2024. The duration of Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Sabine Devieilhe, Mathieu Pordoy's "Mozart & Strauss: Lieder" album is number 21 out of 24. On top of that, United Kingdom appears to be the country where this track was created. Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strauss, R: 5 Lieder, Op. 48: No. 2, In Schwebe by Richard Strauss, Sabine Devieilhe, Mathieu Pordoy to be Andante (at a walking pace) because the track has a tempo of 82 テンポ, a half-time of 41テンポ, and a double-time of 164 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
12 Gedichte, Op. 35: No. 4. Erstes Grun | Robert Schumann, Margaret Price, James Lockhart | G Major | 0 | 9B | 85 BPM | ||
Zigeunerlieder Op. 103: II. Hochgetürmte Rimaflut | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | E Major | 0 | 12B | 81 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
An die ferne Geliebte, Op. 98: No. 6, Nimm sie hin denn, diese Lieder | Ludwig van Beethoven, Mark Padmore, Mitsuko Uchida | E♭ Major | 0 | 5B | 76 BPM | ||
L’invitation au voyage | Henri Duparc, Sandrine Piau, Orchestre Victor Hugo, Jean-François Verdier | F♯ Major | 1 | 2B | 82 BPM | ||
Die Fledermaus: Act I: Duettino: Ach, ich darf nicht hin zu ihr (Rosalinde, Adele) | Johann Strauss II, Aga Mikolaj, Chen Reiss, Cologne West German Radio Orchestra, Friedrich Haider | A Major | 1 | 11B | 99 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Suzanne Danco, Guido Agosti | E♭ Major | 1 | 5B | 132 BPM | ||
Haugtussa, Op. 67: III. Blåbaer-li | Charlotte Hoather, George Todica | F Major | 2 | 7B | 92 BPM | ||
Vöglein fliegt dem Nestchen zu | Peter Cornelius, Antonia Bourvé, Nadine Schuster | D Major | 0 | 10B | 127 BPM | ||
Paulus, Op. 36, MWV A14 / Part 1: No. 19 Rezitativ: "Es war aber ein Jünger" | Felix Mendelssohn, Hans Peter Blochwitz, Gundula Janowitz, Gewandhausorchester, Kurt Masur | C Major | 1 | 8B | 79 BPM |