Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca's 'Piano Concerto No. 4 in G Minor: I. Allegro' came out on July 1, 2004. Piano Concerto No. 4 in G Minor: I. Allegro appears to be safe for all ages as it is not explicit. There are a total of 10 in the song's album "Paisiello: Piano Concertos Nos. 2 and 4 / Proserpine Overture". In this album, this song's track order is #8. Based on our statistics, Piano Concerto No. 4 in G Minor: I. Allegro's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Piano Concerto No. 4 in G Minor: I. Allegro by Giovanni Paisiello, Francesco Nicolosi, Collegium Philarmonicum Chamber Orchestra, Gennaro Cappabianca having a テンポ of 135 with a half-time of 68 テンポ and a double-time of 270 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 3 in G Minor, Op. 36: IV. Finale: Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 126 BPM | ||
Guitar Quintet No. 9 in C Major, G. 453, "La Ritirata di Madrid": IV. 12 Variazioni, "La Ritirata di Madrid" (The Retreat from Madrid) | Luigi Boccherini, Zoltan Tokos, Danubius Quartet | E Major | 1 | 12B | 133 BPM | ||
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 90 BPM | ||
Amor vendicato, R 2.7: No. 4, L'opra si compia omai - Live | Giovanni Paisiello, Sabrina Santoro, Roberta Andalo, Marina Esposito, Mariano Patti, Dario Candela | C Major | 3 | 8B | 153 BPM | ||
String Quartet No. 2 in A Major: III. Largo | Giovanni Paisiello, Quartetto Modi | D Major | 0 | 10B | 95 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: La calunnia (Basilio) | Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer | D Major | 3 | 10B | 82 BPM | ||
4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra) | Sinfonieorchester Basel | C Major | 2 | 8B | 133 BPM | ||
L'olimpiade, RV 725: Sinfonia. Allegro | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | A Major | 1 | 11B | 122 BPM | ||
Tejido | Juan Pablo Fernández Ramos | F Major | 0 | 7B | 136 BPM |