Sinfonieorchester Basel's '4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra)' came out on November 22, 2019. Since 4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sinfonieorchester Basel's "Luciano Berio - Transformation" album is number 9 out of 25. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 4 versioni originali della "Ritirata notturna di Madrid", G. 453, No. 4 di Luigi Boccherini (Transcribed for Orchestra) by Sinfonieorchester Basel to be Allegro (fast, quick, and bright) because the track has a tempo of 133 テンポ, a half-time of 66テンポ, and a double-time of 266 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music for the Royal Fireworks: Suite HWV 351: 4. La réjouissance | George Frideric Handel, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 4 | 3B | 102 BPM | ||
Der Sturm Suite: III. Finale. Prosperos Sieg | Felix Weingärtner, Sinfonieorchester Basel, Marko Letonja | D♭ Major | 3 | 3B | 77 BPM | ||
Piano Concerto No. 2, H. 237: III. Poco allegro | Bohuslav Martinů, Robert Kolinsky, Sinfonieorchester Basel, Vladimir Ashkenazy | C Minor | 3 | 5A | 132 BPM | ||
Hippolyte et Aricie, RCT 43: Hippolyte et Aricie, RCT 43: I. Ouverture | Jean-Philippe Rameau, Swedish Radio Symphony Orchestra, Daniel Harding | D Minor | 2 | 7A | 112 BPM | ||
Pénélope, IGF 69: Prélude | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | B Major | 1 | 1B | 62 BPM | ||
Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | B♭ Major | 1 | 6B | 109 BPM | ||
Élégie for Cello and Orchestra , Op. 24 | Gabriel Fauré, Sinfonieorchester Basel, Ivor Bolton | A♭ Major | 1 | 4B | 89 BPM | ||
Ds Mueterlied | Linard Bardill, Fortunat Frölich, Sinfonieorchester Basel | D Minor | 1 | 7A | 120 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Berliner Philharmoniker, Claudio Abbado | C Minor | 0 | 5A | 101 BPM |