Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten made "Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro)" available on January 1, 1995. Since Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 25 in Bach, J.S.: Brandenburg Concertos etc. by Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten, Carmel Kaine, Emanuel Hurwitz, Philip Ledger, Sir Neville Marriner, Tess Miller, William Bennett. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro) is currently below average in popularity. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Brandenburg Concerto No. 3 in G, BWV 1048: 1. (Allegro) by Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 1/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 4 in G BWV1049: I. Allegro | Johann Sebastian Bach, Monica Huggett, Orchestra of the Age of Enlightenment | F♯ Major | 1 | 2B | 89 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Cello Concerto No. 2 in D Major, Hob. VIIb:2: I. Allegro moderato | Franz Joseph Haydn, Yo-Yo Ma, José-Luis Garcia, English Chamber Orchestra | D Major | 1 | 10B | 125 BPM | ||
String Quartet No. 12 In F Major, Op. 96, B.179 - "American": 4. Finale (Vivace ma non troppo) | Antonín Dvořák, Emerson String Quartet | F Major | 1 | 7B | 84 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Tit for Tat: No. 5. Tit for Tat | Benjamin Britten, Roderick Williams, Iain Burnside | F Major | 1 | 7B | 172 BPM | ||
2 Part Invention In F Major, BWV 779: Two-part Invention In F Major, BWV 779 | Janos Sebestyen, Johann Sebastian Bach | F Major | 3 | 7B | 123 BPM | ||
Centone di sonate, Op. 64, MS 112: Sonata No. 1 in A Minor: II. Rondoncino | Niccolò Paganini, Moshe Hammer, Norbert Kraft | A Major | 2 | 11B | 122 BPM | ||
Keyboard Sonata in C Major, Kk. 159 | Domenico Scarlatti, Alon Goldstein | C Major | 2 | 8B | 120 BPM | ||
Brandenburg Concerto No. 3 In G Major, BWV 1048: III. Allegro | Cologne Chamber Orchestra, Johann Sebastian Bach | G Major | 6 | 9B | 125 BPM |