Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer's 'Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: La calunnia (Basilio)' came out on July 15, 2014. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 32 in the song's album "Paisiello: Barbiere Di Siviglia (Il)". In this album, this song's track order is #15. Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: La calunnia (Basilio) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il barbiere di Siviglia (The Barber of Seville): Act II: Aria: La calunnia (Basilio) by Giovanni Paisiello, Dénes Gulyás, Krisztina Laki, József Gregor, Istvan Gati, Sandor Sòlyom-Nagy, Csaba Reti, Miklos Mersei, Gabor Vaghelyi, Attila Fulop, Hungarian State Orchestra, Ádám Fischer having a テンポ of 82 with a half-time of 41 テンポ and a double-time of 164 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 2 in G Major, D. 167: Credo: Credo in unum Deum | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Symphony in C Major, F. 26: III. Presto | Josef Mysliveček, Matthias Bamert, London Mozart Players | C Major | 1 | 8B | 77 BPM | ||
Sarabande et rigaudon, Op. 93: Rigaudon | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 2 | 12B | 121 BPM | ||
Devienne: Flute Concerto No. 7 in E Minor: II. Adagio | Francois Devienne, Emmanuel Pahud, Kammerorchester Basel, Giovanni Antonini | G Major | 0 | 9B | 84 BPM | ||
L'Olimpiade, Act I: V. Tu di saper procura | Giovanni Paisiello, Venice Baroque Orchestra, Markellos Chryssicos, Ruth Rosigue | E♭ Major | 1 | 5B | 79 BPM | ||
Concerto for Cello, Strings and Clavichord in G Major: Concerto for Cello, Strings and Clavichord in G Major: II. Adagio | Georg Matthias Monn, Freiburger Barockorchester, Jean-Guihen Queyras, Petra Mullejans | E♭ Major | 1 | 5B | 86 BPM | ||
Messe pour le sacre de Napoléon: V. Gloria, Domine Deus | Giovanni Paisiello, Sandrine Piau, Chantal Santon Jeffery, Éléonore Pancrazi, Mathias Vidal, Thomas Dolie, Chœur De Chambre De Namur, Le Concert de la Loge, Julien Chauvin | C Major | 1 | 8B | 67 BPM | ||
Masques et Bergamasques, suite, Op.112: 3. Gavotte | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 2 | 7A | 109 BPM | ||
Der Fischer und das Milchmädchen: X. Allemande | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 1 | 10B | 77 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato e grazioso | Johann Nepomuk Hummel, Avi Avital, Il Giardino Armonico, Giovanni Antonini | G Major | 2 | 9B | 128 BPM |