Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner made "Masques et Bergamasques, suite, Op.112: 3. Gavotte" available on January 1, 1982. The duration of Masques et Bergamasques, suite, Op.112: 3. Gavotte is about 3 minutes long, at 3:06. Based on our data, "Masques et Bergamasques, suite, Op.112: 3. Gavotte" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 9 out of 10 in Fauré: Pelléas et Mélisande/Pavane/Fantasie, etc. by Gabriel Fauré, Academy of St. Martin in the Fields Chorus, Academy of St. Martin in the Fields, Sir Neville Marriner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Masques et Bergamasques, suite, Op.112: 3. Gavotte is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Masques et Bergamasques, suite, Op.112: 3. Gavotte by Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner is Moderato (at a moderate speed), since this song has a tempo of 109 テンポ. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM | ||
Dolly Suite, Op. 56 (arr. H. Rabaud): II. Mi-a-ou | Henri Rabaud, Gabriel Fauré, RTE Sinfonietta, John Georgiadis | C Major | 0 | 8B | 114 BPM | ||
A Chloris (Arr. For Cor Anglais & Orchestra) | Reynaldo Hahn, Albrecht Mayer, Academy of St. Martin in the Fields, Mathias Mönius | E Major | 0 | 12B | 87 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Flute Concerto No. 2, K.314 in D: Rondeau: Allegro | James Galway, Sir Neville Marriner | D Major | 1 | 10B | 125 BPM | ||
Overture (Suite) In D Major, TWV 55:D15: III. Harlequinade | Cologne Chamber Orchestra, Georg Philipp Telemann | D Major | 3 | 10B | 135 BPM | ||
Sonata in E Major, Kk. 20: Presto | Domenico Scarlatti, Ivo Pogorelich | E Major | 0 | 12B | 130 BPM | ||
String Quartet No. 1 In D Major, Op. 11, TH.111: 2. Andante cantabile | Pyotr Ilyich Tchaikovsky, Emerson String Quartet | D Minor | 5 | 7A | 65 BPM | ||
Pulcinella: 1. Ouverture: Allegro moderato | Igor Stravinsky, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | ||
Holst: St. Paul's Suite, Op. 29 No. 2: I. Jig | Gustav Holst, Sir Neville Marriner, Academy of St. Martin in the Fields | G Major | 2 | 9B | 151 BPM |