"Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich)" by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields was released on 1976. With this song being about 5 minutes long, at 5:11, "Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich)" by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Joseph Haydn, Mstislav Rostropovich's "Haydn: Cello Concertos Nos 1 & 2" album is number 5 out of 6. In terms of popularity, Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: II. Adagio (Cadenza by Rostropovich) by Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields to be Andante (at a walking pace) because the track has a tempo of 90 テンポ, a half-time of 45テンポ, and a double-time of 180 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 168 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Albinoni: Adagio in G Minor | Tomaso Albinoni, Sir Neville Marriner, Academy of St. Martin in the Fields | C Minor | 1 | 5A | 90 BPM | ||
The Seven Last Words of Christ, Hob.XX:2: Sonata II "Fürwahr, ich sag' es dir" (Grave e cantabile) | Franz Joseph Haydn, Cuarteto Casals | C Minor | 0 | 5A | 77 BPM | ||
The Four Seasons - Violin Concerto in G Minor, Op. 8 No. 2, RV 315 "Summer": II. Adagio - Presto | Antonio Vivaldi, Joshua Bell, Academy of St. Martin in the Fields | G Minor | 0 | 6A | 87 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Water Music Suite No. 3 in G Major, HWV 350: Rigaudon I & II | George Frideric Handel, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 98 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM |