Robert Schumann, Martha Argerich's 'Kinderszenen, Op.15: 2. Kuriose Geschichte' came out on January 1, 1984. With Kinderszenen, Op.15: 2. Kuriose Geschichte being less than two minutes long, at 1:04, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 21 in the song's album "Schumann: Kinderszenen; Kreisleriana". In this album, this song's track order is #2. Kinderszenen, Op.15: 2. Kuriose Geschichte is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Kinderszenen, Op.15: 2. Kuriose Geschichte by Robert Schumann, Martha Argerich having a テンポ of 66 with a half-time of 33 テンポ and a double-time of 132 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Abegg Variations, Op.1 | Robert Schumann, Evgeny Kissin | E Major | 0 | 12B | 78 BPM | ||
Sonatina No. 1, Op. 67: II. Largo | Jean Sibelius, Leif Ove Andsnes | F♯ Minor | 0 | 11A | 112 BPM | ||
Faschingsschwank aus Wien, Op. 26: IV. Intermezzo (Colla più grande energia) | Robert Schumann, Maria João Pires | D♭ Major | 2 | 3B | 109 BPM | ||
Kreisleriana, Op. 16: 1. Äusserst bewegt | Robert Schumann, Martha Argerich | G Minor | 2 | 6A | 93 BPM | ||
Piano Sonata in B Minor, S. 178: Più mosso | Franz Liszt, Martha Argerich | F Major | 4 | 7B | 47 BPM | ||
Spanische Liebeslieder, Op. 138: 2. Tief im Herzen trag' ich Pein | Robert Schumann, Emanuel Geibel, Sibylla Rubens, Gerold Huber, James Cheung | G Minor | 0 | 6A | 72 BPM | ||
Kinderszenen, Op. 15: No. 12, Kind im Einschlummern | Robert Schumann, Vladimir Horowitz | C Major | 0 | 8B | 94 BPM | ||
Shostakovich: Concertino for Two Pianos in A Minor, Op. 94 (Live) | Dmitri Shostakovich, Martha Argerich, Lilya Zilberstein | D Major | 2 | 10B | 137 BPM |