"Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2000. With Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 13 out of 69. On top of that, Germany appears to be the country where this track was created. The popularity of Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations on a Rococo Theme, Op. 33, TH. 57: Variazione VII e Coda: Allegro vivo by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan to be Vivace (lively and fast) because the track has a tempo of 168 テンポ, a half-time of 84テンポ, and a double-time of 336 テンポ. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Faust, Ballet Music (1869): 6. Variations du miroir (Allegretto) | Charles Gounod, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 90 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 3. Marziale un poco meno allegro | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | E Major | 1 | 12B | 123 BPM | ||
Sinfonietta, JW VI/18: I. Fanfare. Allegretto - Allegro - Maestoso | Leoš Janáček, Berliner Philharmoniker, Claudio Abbado | D♭ Minor | 7 | 12A | 120 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: III. At The Seashore | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 0 | 11A | 66 BPM | ||
Symphony No. 8 in B Minor, D. 759 "Unfinished": 2. Andante con moto | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 76 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo - | Camille Saint-Saëns, Mstislav Rostropovich, Carlo Maria Giulini, London Philharmonic Orchestra | A Minor | 1 | 8A | 101 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Pictures at an Exhibition: Cum mortuis in lingua mortua | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 93 BPM | ||
Symphony No. 3 in D Major, Op. 29, "Polish": II. Allegro moderato e semplice | Pyotr Ilyich Tchaikovsky, Gürzenich Orchester Köln, Dmitri Kitayenko | G Minor | 0 | 6A | 120 BPM | ||
Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) | Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus | D Major | 1 | 10B | 83 BPM |