Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus made "Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)" available on January 1, 1984. The duration of Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 11 in Albinoni: Adagio in G Minor / Pachelbel: Canon by Berliner Philharmoniker, Herbert von Karajan, Antonio Vivaldi, Christoph Willibald Gluck, Johann Pachelbel, Johann Sebastian Bach, Wolfgang Amadeus Mozart. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) is below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Canon and Gigue in D Major, P. 37: II. Gigue (Arr. Seiffert for Orchestra) by Johann Pachelbel, Berliner Philharmoniker, Herbert von Karajan, Frank Maus is Andante (at a walking pace), since this song has a tempo of 83 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata No. 15 in C Major, I. Allegro | Maria João Pires | C Major | 1 | 8B | 136 BPM | ||
Divertimento No. 6 in G Major, Op. 38: Divertimento No. 6 in G Major, Op. 38 | Carl Maria von Weber, Ensemble 3 Mouvements | G Major | 0 | 9B | 119 BPM | ||
Pictures at an Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Berliner Philharmoniker, Herbert von Karajan | B Major | 2 | 1B | 85 BPM | ||
Trio Sonata in F Major, HWV 392: IV. Allegro assai | George Frideric Handel, The Brook Street Band | E Major | 4 | 12B | 144 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: III. Scherzo. Vivace | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | F Major | 2 | 7B | 130 BPM | ||
Abdelazer, Z.570: 2. Rondeau | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | D♭ Minor | 1 | 12A | 97 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Invitation to the Dance, Op. 65 (Aufforderung zum Tanze) - Orchestrated By H. Berlioz: Moderato - Allegro vivace - Vivace - Moderato | Carl Maria von Weber, Berliner Philharmoniker, Herbert von Karajan | D Major | 1 | 10B | 122 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |