Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, The New Symphony Orchestra Of London, Isidore Godfrey's 'H.M.S. Pinafore / Act 1: Hail! Men o'war's men..I'm called little buttercup' came out on January 1, 1959. With this song being around four minutes long, at 4:16, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company, Isidore Godfrey's "Gilbert & Sullivan: H.M.S.Pinafore" album is number 3 out of 25. H.M.S. Pinafore / Act 1: Hail! Men o'war's men..I'm called little buttercup is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of H.M.S. Pinafore / Act 1: Hail! Men o'war's men..I'm called little buttercup by Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, The New Symphony Orchestra Of London, Isidore Godfrey to be Andante (at a walking pace) because the track has a tempo of 87 テンポ, a half-time of 44テンポ, and a double-time of 174 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 4: "Vecchia zimarra, senti" | Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan | D♭ Minor | 1 | 12A | 79 BPM | ||
A Child of our Time, Part I: A Spiritual. Steal away (Soprano, Tenor, Chorus) | Michael Tippett, Pumeza Matshikiza, Joshua Stewart, BBC Symphony Chorus, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
The Magic Flute, Act I: Don't be afraid, now hear my song | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks | F Major | 2 | 7B | 130 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
6 Songs from A Shropshire Lad: No. 2. When I was one-and-twenty | George Butterworth, Roderick Williams, Iain Burnside | B Minor | 1 | 10A | 165 BPM | ||
H.M.S. Pinafore | Arthur Sullivan, William Schwenck Gilbert, The D'Oyly Carte Opera Chorus, The D'Oyly Carte Opera Orchestra, Martyn Green, Leslie Rands, Leonard Osborn, Darrell Fancourt, Richard Walker, Radley Flynn, Muriel Harding, Joan Gillingham, Ella Halman, Isidore Godfrey | G Major | 1 | 9B | 135 BPM | ||
Sogno D'or | Giacomo Puccini, Cheri Rose Katz, Alan Mallach | A Major | 2 | 11B | 153 BPM | ||
The Music Makers, Op. 69: III. With wonderful deathless ditties | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | G Major | 2 | 9B | 85 BPM | ||
Les Pêcheurs de perles: Leïla!...Dieu puissant, le voila! (Nadir, Leïla) | Georges Bizet, Nicolai Gedda, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | F Major | 1 | 7B | 137 BPM |