"The Magic Flute, Act I: Don't be afraid, now hear my song" by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks was released on March 1, 2005. With this song being about 5 minutes long, at 4:54, "The Magic Flute, Act I: Don't be afraid, now hear my song" by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Barry Banks, Elizabeth Vidal, Rebecca Evans, Simon Keenlyside, John Tomlinson, Leslie Garrett's "Mozart: The Magic Flute" album is number 5 out of 42. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, The Magic Flute, Act I: Don't be afraid, now hear my song's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of The Magic Flute, Act I: Don't be afraid, now hear my song by Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Elizabeth Vidal, Barry Banks to be Allegro (fast, quick, and bright) because the track has a tempo of 130 テンポ, a half-time of 65テンポ, and a double-time of 260 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Dream of Gerontius, Op. 38, Pt. 2: Lord, Thou hast been our refuge - Radio Edit | Edward Elgar, Gabrieli, Paul McCreesh, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
O Mio Babbino Caro | Giacomo Puccini, Kiri Te Kanawa, London Philharmonic Orchestra, Sir John Pritchard | A♭ Major | 1 | 4B | 112 BPM | ||
L'italiana in Algeri: Atto Ii. Recitativo. Orsù: La tua nipote con chi crede | Gioachino Rossini, Ricardo Seguel, Alasdair Kent, Pablo Ruiz, Orchestra Of The 18th Century, Giancarlo Andretta | B Major | 2 | 1B | 171 BPM | ||
Wagner: Tannhäuser, Act II: "Dich, teure Halle, grüss ich wieder" (Elisabeth) [Dresden Version] | Richard Wagner, Jessye Norman, Klaus Tennstedt, London Philharmonic Orchestra | D♭ Major | 1 | 3B | 175 BPM | ||
La Clemenza di Tito: Atto primo, scena III. No.3 Duettino Annio, Sesto "Deh prendi un dolce amplesso" | Wolfgang Amadeus Mozart, Bernarda Fink, Freiburger Barockorchester, René Jacobs, Marie-Claude Chappuis | C Major | 2 | 8B | 75 BPM | ||
Rusalka, Op.114 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Renée Fleming, Czech Philharmonic Orchestra, Sir Charles Mackerras | F♯ Major | 0 | 2B | 91 BPM | ||
The Magic Flute, Act II: The man who dares to tread this path | Wolfgang Amadeus Mozart, Sir Charles Mackerras, London Philharmonic Orchestra, Two Armed Men, Barry Banks, Rebecca Evans | G Minor | 1 | 6A | 115 BPM | ||
Turandot / Act 3: Tu che di gel sei cinta | Giacomo Puccini, Montserrat Caballé, Luciano Pavarotti, John Alldis Choir, London Philharmonic Orchestra, Zubin Mehta | E♭ Minor | 2 | 2A | 145 BPM | ||
Adriana Lecouvreur: L'anima ho stanca | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | B Minor | 3 | 10A | 150 BPM | ||
Le Comte Ory / Act 1: "Vous, notre appui" | Gioachino Rossini, Alastair Miles, Coro da Camera di Praga, Lubomir Matl, Orchestra del Teatro Comunale di Bologna, Jesús López-Cobos | C Major | 4 | 8B | 115 BPM |