"La Bohème / Act 4: "Vecchia zimarra, senti"" by Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1973. The duration of La Bohème / Act 4: "Vecchia zimarra, senti" is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. La Bohème / Act 4: "Vecchia zimarra, senti"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #13. La Bohème / Act 4: "Vecchia zimarra, senti" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 4: "Vecchia zimarra, senti" by Giacomo Puccini, Nicolai Ghiaurov, Gianni Maffeo, Berliner Philharmoniker, Herbert von Karajan having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin | D Minor | 2 | 7A | 72 BPM | ||
Carmen / Act 1: Introduction: "Sur la place chacun passe" | Georges Bizet, Mikael Melbye, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | B♭ Major | 0 | 6B | 97 BPM | ||
Requiem: VII. Libera me – Dies irae – Requiem aeternam – Libera me | Giuseppe Verdi, Mirella Freni, Wiener Singverein, Berliner Philharmoniker, Herbert von Karajan | C Minor | 2 | 5A | 98 BPM | ||
Messa di Requiem, Dies irae: Rex tremendae | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | C Minor | 3 | 5A | 82 BPM | ||
Fidelio: Quartett - Mir ist so wunderbar | Herbert von Karajan, Berliner Philharmoniker | G Major | 2 | 9B | 85 BPM | ||
Boris Godounov / Act 4: Odnazhdy, v vecherniy chas | Modest Mussorgsky, Martti Talvela, Nicolai Ghiaurov, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 80 BPM | ||
Verdi: Il trovatore, Act 1 Scene 2: "Di tale amor che dirsi" (Leonora, Ines) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 2 | 10B | 169 BPM | ||
I Puritani / Act 1: Sai com'arde in petto mio | Vincenzo Bellini, Dame Joan Sutherland, Nicolai Ghiaurov, London Symphony Orchestra, Richard Bonynge | A Major | 2 | 11B | 140 BPM | ||
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Ah! chi mi dice mai" - "Udisti? qualche bella" | Wolfgang Amadeus Mozart, Agnes Baltsa, Samuel Ramey, Ferruccio Furlanetto, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 113 BPM | ||
Falstaff / Act 1: L'Onore! Ladri! | Giuseppe Verdi, Bryn Terfel, Berliner Philharmoniker, Claudio Abbado | C Major | 2 | 8B | 167 BPM |