"Hoffmann: Meine Seele rühmt und preist: II. Recitative. "Denn seh' ich mich und auch mein Leben an" (Formerly Attributed to JS Bach as BWV 189)" by Georg Melchior Hoffmann, Charles Münch, Pierre Bernac, Unknown Orchestra was released on September 28, 2018. With Hoffmann: Meine Seele rühmt und preist: II. Recitative. "Denn seh' ich mich und auch mein Leben an" (Formerly Attributed to JS Bach as BWV 189) being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 134 in the song's album "The Complete Recordings on Warner Classics". In this album, this song's track order is #99. Furthermore, we believe that the track originated from France. Hoffmann: Meine Seele rühmt und preist: II. Recitative. "Denn seh' ich mich und auch mein Leben an" (Formerly Attributed to JS Bach as BWV 189) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Hoffmann: Meine Seele rühmt und preist: II. Recitative. "Denn seh' ich mich und auch mein Leben an" (Formerly Attributed to JS Bach as BWV 189) by Georg Melchior Hoffmann, Charles Münch, Pierre Bernac, Unknown Orchestra having a テンポ of 79 with a half-time of 40 テンポ and a double-time of 158 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Songs of Old Ireland (Version for Voice & Orchestra): No. 2, Emer’s Farewell to Cucullain | Charles Villiers Stanford, Morgan Pearse, BBC Concert Orchestra, John Andrews | E♭ Major | 1 | 5B | 110 BPM | ||
Die Entführung aus dem Serail, K. 384, Act I: Hier soll ich dich denn sehen - Remastered 2024 | Wolfgang Amadeus Mozart, Walther Ludwig, Wiener Philharmoniker, Josef Krips | B♭ Major | 1 | 6B | 96 BPM | ||
Threni, Lamentations of Jeremiah: III. De elegia tertia, Querimonia | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt, Joshua Bloom | A Major | 2 | 11B | 67 BPM | ||
Te Deum, Op. 66: III. No. 3 Judex crederis - Allegro energico | Charles Villiers Stanford, Adrian Partington, Rhian Lois, Alessandro Fisher, Morgan Pearse, BBC National Orchestra Of Wales, Samantha Price, BBC National Chorus of Wales | F♯ Major | 2 | 2B | 141 BPM | ||
King Arthur, Z. 628, Act V: Fairest Isle | Henry Purcell, Rachel Redmond, Peter Whelan, Irish Baroque Orchestra | A Major | 0 | 11B | 76 BPM | ||
Die Schöpfung, Hob XXI:2, Part I: Die Schöpfung, Hob XXI:2, Part I: No. 3, Nun schwanden vor dem heiligen Strahle | Joseph Haydn, Dresdner Philharmonie, Marek Janowski, MDR Leipzig Radio Choir, Benjamin Bruns | B♭ Major | 3 | 6B | 117 BPM | ||
Die Tänzerin Fanny Elssler: Draußen in Sievering (Act 2) | Johann Strauss II, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner | A Major | 1 | 11B | 79 BPM | ||
God Bless America | Irving Berlin, Kevin Maynor, Eric Olsen | F Major | 1 | 7B | 0 BPM | ||
"Where The Bee Sucks" | Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F♯ Major | 0 | 2B | 68 BPM | ||
I. Ach, lieben Christen, seid getrost (Chorus) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln | A♭ Major | 2 | 4B | 92 BPM |