Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood made ""Where The Bee Sucks"" available on January 1, 1980. The duration of "Where The Bee Sucks" is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. "Where The Bee Sucks"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Emma Kirkby, Academy of Ancient Music, Christopher Hogwood's "Handel & Arne Arias" album is number 15 out of 15. On top of that, United Kingdom appears to be the country where this track was created. "Where The Bee Sucks" is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of "Where The Bee Sucks" by Thomas Arne, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood to be Adagio (slowly with great expression) because the track has a tempo of 68 テンポ, a half-time of 34テンポ, and a double-time of 136 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die ausgesöhnte Eifersucht oder Cephalus und Procris: Einsamkeit, du Qual des Hertzen (Arie) | Johann Philipp Krieger, Núria Rial, Julia Schröder | B Minor | 1 | 10A | 96 BPM | ||
Rejoice in the Lord alway, verse anthem, Z.49 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
Amarilli mia bella | Giulio Caccini, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 91 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
Sanctus in C BWV237 | Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B Major | 4 | 1B | 94 BPM | ||
In darkness let me dwell | John Dowland, Andreas Scholl, Edin Karamazov | E Major | 0 | 12B | 83 BPM | ||
Miserere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Minor | 1 | 10A | 166 BPM | ||
Come, Ye Sons of Art Away, Z. 323: 3. Sound The Trumpet, Sound | Henry Purcell, Michael Chance, Timothy Wilson, Trevor Pinnock, The English Concert | D♭ Major | 2 | 3B | 85 BPM | ||
Porpora: Mitridate: La gioia ch'io sento | Colley Cibber, Philippe Jaroussky, Cecilia Bartoli, Andrea Marcon, Venice Baroque Orchestra | A♭ Major | 2 | 4B | 86 BPM | ||
Missa Sancti Georgii: VI. Agnus Dei | Herman Finkers, Cappella Amsterdam, Holland Baroque, Daniel Reuss | B♭ Major | 2 | 6B | 73 BPM |