Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music's 'Sanctus in C BWV237' came out on April 18, 2000. With Sanctus in C BWV237 being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 10 out of 52 in Bach: Magnificat in D etc. by Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury. In terms of popularity, Sanctus in C BWV237 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Sanctus in C BWV237 by Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music is Andante (at a walking pace), since this song has a tempo of 94 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My song is love unknown (Love Unknown) | John Ireland, Choir of King's College, Cambridge, Stephen Cleobury, Thomas Williamson | E♭ Major | 1 | 5B | 98 BPM | ||
Vivaldi: Gloria in D Major, RV 589: XII. Cum Sancto Spiritu | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | D♭ Major | 2 | 3B | 109 BPM | ||
Requiem, Op. 9: III. Domine Jesu Christe (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Choir of King's College, Cambridge | D Major | 1 | 10B | 137 BPM | ||
Vivaldi: Gloria in D Major, RV 589: VII. Dominie Fili Unigenite | Antonio Vivaldi, Choir of King's College, Cambridge, Academy of Ancient Music, Stephen Cleobury | E Major | 3 | 12B | 135 BPM | ||
Miller / Arr. Rutter, Webbe: When I Survey the Wondrous Cross | Edward Miller, Choir of King's College, Cambridge, Stephen Cleobury, Benjamin Bayl | E♭ Major | 1 | 5B | 77 BPM | ||
Requiem, K. 626: Domine Jesu | Wolfgang Amadeus Mozart, Stephen Cleobury, Academy of Ancient Music, Christopher Purves, Choir of King's College, Cambridge, James Gilchrist, Elin Manahan Thomas, Christine Rice | C Minor | 3 | 5A | 98 BPM | ||
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 104 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Amphitryon, or The Two Sosias, Z.572: Hornpipe - Scotch Tune | Henry Purcell, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 115 BPM |