"Ola, o che bon eccho!" by Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini was released on January 1, 1994. With Ola, o che bon eccho! being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 27 in the song's album "Orlando di Lasso: Villanelle, moresche e altre canzoni". In this album, this song's track order is #26. Furthermore, we believe that the track originated from France. Ola, o che bon eccho! is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ola, o che bon eccho! by Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini having a テンポ of 63 with a half-time of 32 テンポ and a double-time of 126 テンポ, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantiones sacrae sex vocum: I. Nectar et ambrosiam | Orlande de Lassus, Philippe Herreweghe, Collegium Vocale Gent | B Minor | 2 | 10A | 127 BPM | ||
3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | C Minor | 1 | 5A | 86 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM | ||
Tleycantimo choquiliya | Juan de Araujo, Ensemble Villancico, Peter Pontvik | E Major | 2 | 12B | 133 BPM | ||
Sequentia O, Jerusalem, aurea civitas | Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker | C Major | 0 | 8B | 101 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
Gloria in D Major, RV 589: No. 8, Domine Deus, Agnus Dei | Antonio Vivaldi, Sara Mingardo, Concerto Italiano, Akademia Vocal Ensemble, Rinaldo Alessandrini | D♭ Minor | 0 | 12A | 177 BPM | ||
Lagrime di San Pietro: V. Giovane donna il suo bel volto in specchio | Orlande de Lassus, Gallicantus, Gabriel Crouch | G Minor | 1 | 6A | 66 BPM | ||
God is Gone Up | Gerald Finzi, Choir of St. John's College, Cambridge, Andrew Nethsingha | E Major | 2 | 12B | 82 BPM |