"3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus)" by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra was released on November 5, 2013. With 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 9 in the song's album "Schnittke: Konzert für Chor, Stimmen der Natur & 3 Geistliche Gesänge - Pärt: Dopo la vittoria". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 3 Sacred Hymns: No. 2. Gospodi, Gospodi Iisuse (Lord Jesus) by Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra having a テンポ of 86 with a half-time of 43 テンポ and a double-time of 172 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the テンポ of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St Anne’s Mass: III. Sanctus | James MacMillan, Cappella Nova, Alan Tavener | D Major | 1 | 10B | 76 BPM | ||
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Sacred Concerto No. 15, "Priidite, vospoim lyudiye" (Come, let us praise in song, O people): II. Adagio | Dmitry Bortniansky, Ensemble Cherubim, Marika Kuzma | E♭ Minor | 0 | 2A | 94 BPM | ||
Eia Mater | Andreas Scholl | B♭ Major | 1 | 6B | 98 BPM | ||
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Castor et Pollux, RCT 32, Acte I, Scène III: Prélude - Air accompagné "Tristes apprêts" | Jean-Philippe Rameau, Teodor Currentzis | D Major | 0 | 10B | 86 BPM | ||
Requiem: 3. Dies irae | Alfred Schnittke, Moscow State Academic Chamber Choir, Timofei Golberg, Alexey Zavolokin, Sergei Sokuler, Marianna Vysotskaya, Elena Ilyina, Percussion ensemble of the Moscow Philharmonic Orchestra | B♭ Major | 3 | 6B | 154 BPM | ||
Messa da Requiem: VII Requiem aeternam | Cesar Hernandez, Hungarian State Opera Orchestra, Elena Filipova, Hungarian State Opera Chorus, Gloria Scalchi, Carlo Colombara | E Major | 6 | 12B | 115 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM |