"Sequentia O, Jerusalem, aurea civitas" by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker was released on 2015. Since Sequentia O, Jerusalem, aurea civitas is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Von Bingen: Ego sum homo by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková. The song's track number on the album is #1 out of 15 tracks. In terms of popularity, Sequentia O, Jerusalem, aurea civitas is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sequentia O, Jerusalem, aurea civitas by Hildegard von Bingen, Tiburtina Ensemble, Barbora Kabátková, Hana Blaziková, Margit Übellacker has a tempo of 101 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sequentia O, Jerusalem, aurea civitas being at 101 テンポ, the half-time would be 50 テンポ with a double-time of 202 テンポ.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Colla iugo subdere - Bona condit cetera - Libera me, Domine (Motette) | Philippe de Vitry, Sequentia | C Major | 1 | 8B | 81 BPM | ||
Isaac: Optime Pastor - 1. Optime Divino | The Tallis Scholars, Peter Phillips | E Minor | 2 | 9A | 87 BPM | ||
3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" | Josef Rheinberger, Westminster Kantorei, Amanda Quist | F Major | 2 | 7B | 134 BPM | ||
Lassus: Alma Redemptoris Mater | Orlande de Lassus, Peter Phillips, The Tallis Scholars | B♭ Major | 1 | 6B | 69 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
Grandmother Moon | Eleanor Daley, Mary Louise Martin, The Chapel Choir of Pembroke College, Cambridge, Anna Lapwood | A Minor | 0 | 8A | 73 BPM | ||
Si du malheur | Orlande de Lassus, Ensemble Clément Janequin, Dominique Visse | E♭ Minor | 0 | 2A | 138 BPM | ||
Qual Lege Move | Bartolino da Padova, Ensemble Syntagma, Alexandre Danilevski | E Major | 1 | 12B | 141 BPM | ||
The Legend Of Twelve Robbers | "The Orthodox Singers" Male Choir, Georgiy Smirnov | G Major | 1 | 9B | 136 BPM | ||
Christ Has Risen (2) | Mark Powell, Cappella Romana, Alexander Lingas | A Minor | 3 | 8A | 93 BPM |