"3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden"" by Josef Rheinberger, Westminster Kantorei, Amanda Quist was released on September 15, 2017. The duration of 3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" is about 3 minutes long, at 3:24. Based on our data, "3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Westminster Kantorei, Amanda Quist's "Lumina" album is number 1 out of 12. Based on our statistics, 3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Sacred Songs, Op. 69: No. 3, Abendlied "Bleib bei uns, es will Abend werden" by Josef Rheinberger, Westminster Kantorei, Amanda Quist to be Allegro (fast, quick, and bright) because the track has a tempo of 134 テンポ, a half-time of 67テンポ, and a double-time of 268 テンポ. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem aeternam II | Herbert Howells, Conspirare, Craig Hella Johnson | D Major | 0 | 10B | 81 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: III. Come, Let Us Worship | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | E♭ Major | 1 | 5B | 97 BPM | ||
Lux aeterna: Lux Aeterna: O nata lux | Morten Lauridsen, Elora Festival Singers, Noel Edison | D Major | 0 | 10B | 171 BPM | ||
O Jesu Christ, mein Lebens Licht, BWV 118 | Johann Sebastian Bach, The Norwegian Soloists' Choir, Ensemble Allegria, Grete Pedersen | B♭ Major | 1 | 6B | 95 BPM | ||
Missa "Mille Regretz": Kyrie (Morales) | The Hilliard Ensemble | B Minor | 1 | 10A | 78 BPM | ||
Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 72 BPM | ||
Christ lag in Todesbanden: Versus I | Johann Pachelbel, Beate Spaltner, Nils Giebelhausen, Wolf Matthias Friedrich, Jurgen Banholzer, Hermann Oswald, Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | D Minor | 3 | 7A | 109 BPM | ||
Tant que vivray | Claudin de Sermisy, Ensemble Clément Janequin, Dominique Visse | E Major | 1 | 12B | 72 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM |