Orchestra Di Padova E Del Veneto & Peter Maag's 'Symphony No. 7 Op. 92: IV. Allegro Con Brio (Beethoven)' came out on 1995. Since Symphony No. 7 Op. 92: IV. Allegro Con Brio (Beethoven) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 8 in Beethoven: Symphonies Nos. 7 & 8 by Orchestra Di Padova E Del Veneto & Peter Maag. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Symphony No. 7 Op. 92: IV. Allegro Con Brio (Beethoven)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 7 Op. 92: IV. Allegro Con Brio (Beethoven) by Orchestra Di Padova E Del Veneto & Peter Maag is Allegro (fast, quick, and bright), since this song has a tempo of 147 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 in C Sharp Minor: IV. Adagietto (conclusion) | New Philharmonia Orchestra, Sir John Barbirolli | F Major | 1 | 7B | 114 BPM | ||
Spartacus Suite No. 2: Adagio of Spartacus and Phrygia | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A Minor | 2 | 8A | 88 BPM | ||
Dolly Suite, Op. 56 (Arr. for Piano 4-Hands): I. Berceuse | Gabriel Fauré, Pierre-Alain Volondat, Patrick de Hooghe | D♭ Major | 0 | 3B | 132 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
6 Pieces, Op. 51, TH.143: 6 Valse sentimentale | Pyotr Ilyich Tchaikovsky, Arthur Grumiaux, Istvan Hajdu | A Major | 1 | 11B | 118 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | C Major | 2 | 8B | 146 BPM | ||
Symphony No. 5 Op. 67 In C Minor: I. Allegro Con Brio | Orchestra Di Padova E Del Veneto & Peter Maag | C Minor | 2 | 5A | 94 BPM | ||
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Peer Gynt-Suite Nr. 1, Op. 46: II. Ases dod (The Death of Ase) | Edvard Grieg, BBC Scottish Symphony Orchestra, Jerzy Maksymiuk | B Minor | 0 | 10A | 84 BPM |