Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz's 'L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture' came out on June 15, 1989. Since L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Rossini: Overtures". In this album, this song's track order is #6. Based on our statistics, L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Italiana in Algeri (The Italian Girl in Algiers): L'italiana in Algeri (The Italian Girl in Algiers): Overture by Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz having a テンポ of 146 with a half-time of 73 テンポ and a double-time of 292 テンポ, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the テンポ of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il barbiere di Siviglia, Act 1: "Ah! Che ne dite?" (Basilio, Bartolo) | Gioachino Rossini, Fritz Ollendorff/Nicola Zaccaria/Philharmonia Orchestra/Alceo Galliera, Alceo Galliera, Fritz Ollendorff, Nicola Zaccaria, Philharmonia Orchestra | G Major | 3 | 9B | 116 BPM | ||
Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Idil Biret, Philharmonia Orchestra, James Loughran | D Minor | 3 | 7A | 94 BPM | ||
Adriana Lecouvreur / Act 1: "Ecco: respiro appena ... Io son l'umile ancella" | Francesco Cilea, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | A♭ Major | 1 | 4B | 82 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
Humoreske No. 7 für Klavier Solo in G-Flat Major, Op. 101 | Květa Novotná | F♯ Major | 0 | 2B | 65 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Vienna Sweets Waltz, Op. 307 | Orchestra of the Viennese Volksoper & Alfred Scholz | F Major | 0 | 7B | 182 BPM | ||
Turandot: Nessun dorma | Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz | E Minor | 3 | 9A | 112 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
L'italiana in Algeri / Act 2: Per lui che adoro | Gioachino Rossini, Teresa Berganza, Luigi Alva, Rolando Panerai, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Silvio Varviso | D Major | 3 | 10B | 89 BPM |