"Turandot: Nessun dorma" by Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz was released on June 28, 1993. The duration of Turandot: Nessun dorma is about 3 minutes long, at 3:00. Based on our data, "Turandot: Nessun dorma" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 20 in the song's album "Puccini: The Best of Puccini". In this album, this song's track order is #20. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Turandot: Nessun dorma is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Turandot: Nessun dorma by Giacomo Puccini, Thomas Harper, Slovak Radio Symphony Orchestra, Michael Halasz having a テンポ of 112 with a half-time of 56 テンポ and a double-time of 224 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il padre alla moda: Overture | Domenico Cimarosa, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Major | 1 | 10B | 150 BPM | ||
Klavierkonzert Nr. 21 C-Dur, K. 467, "Elvira Madigan": 2. Andante (Elvira Madigan): II. Andante | Wolfgang Amadeus Mozart, Vilmos Fischer, Wiener Mozart Ensemble, Herbert Kraus | D♭ Major | 6 | 3B | 144 BPM | ||
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Puccini: Tosca, Act 1 Scene 9: "Tre sbirri, una carrozza" (Scarpia, Spoletta, Chorus) | Giacomo Puccini, Tito Gobbi, Renato Ercolani, Orchestre De La Socit Des Concerts Du Conservatoire, Georges Prtre, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Minor | 5 | 2A | 82 BPM | ||
Core 'ngrato (Arr. Chiaramello) | Salvatore Cardillo, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E♭ Major | 3 | 5B | 84 BPM | ||
Blumenduett - Lakmé | Léo Delibes, Alain Lombard, Danielle Millet, Mady Mesple, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 130 BPM | ||
Madama Butterfly / Act 2: "Coro a bocca chiusa" (Humming Chorus) | Giacomo Puccini, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | G Major | 2 | 9B | 139 BPM | ||
Coppélia / Tableau 1: No. 1 Valse | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | C Minor | 1 | 5A | 75 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Messe solennelle de Ste. Cécile: Sanctus | Charles Gounod, Elina Garanca, Latvian Radio Choir, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | F Major | 1 | 7B | 125 BPM |