Dame Joan Sutherland, Luciano Pavarotti's 'La traviata, Act 1: "Libiamo, ne' lieti calici" (Live)' came out on April 19, 2011. The duration of La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) is about 3 minutes long, at 3:15. Based on our data, "La traviata, Act 1: "Libiamo, ne' lieti calici" (Live)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Various Artists's "I Do! - Classical Wedding Music" album is number 31 out of 79. La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) by Dame Joan Sutherland, Luciano Pavarotti to be Andante (at a walking pace) because the track has a tempo of 79 テンポ, a half-time of 40テンポ, and a double-time of 158 テンポ. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio Allegro Molto | Orquesta Filarmónica de Viena | E Minor | 2 | 9A | 115 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
Handel: Serse, HWV 40, Act 1 Scene 1: No. 2, Arioso, "Ombra mai fù" (Serse) | George Frideric Handel, William Christie | E Major | 1 | 12B | 89 BPM | ||
Rigoletto | Tito Gobbi | F♯ Major | 4 | 2B | 0 BPM | ||
Ave Maria, "Ellens Gesang III", D839 | Luciano Pavarotti, Dolores O'Riordan, London Voices, Terry Edwards, Orchestra filarmonica di Torino, Marco Armiliato | G Major | 4 | 9B | 74 BPM | ||
Nel cor più non mi sento | Giovanni Paisiello, Cecilia Bartoli, György Fischer | F Major | 0 | 7B | 138 BPM | ||
'O paese d'o sole | Vincenzo d'Annibale, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | G Minor | 2 | 6A | 86 BPM | ||
La traviata, Act I: Libiamo ne'lieti calici - Live in London, 1965 | Giuseppe Verdi, Luciano Pavarotti, Renata Scotto, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Carlo Felice Cillario | B♭ Major | 3 | 6B | 67 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Claire Rutter, Thomas Randle, Markus Eiche, Mary Denniss, Andrew Knights, Greg Beardsell, Bournemouth Symphony Chorus, Highcliffe Junior Choir, Bournemouth Symphony Youth Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 2 | 7A | 136 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "Air on the G String" | Johann Sebastian Bach, Mainz Chamber Orchestra, Gunter Kehr | D Major | 2 | 10B | 85 BPM |