"Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "Air on the G String"" by Johann Sebastian Bach, Mainz Chamber Orchestra, Gunter Kehr was released on January 1, 1960. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "Air on the G String" is about six minutes long, preciously at 5:36, making this song fairly long compared to other songs. The track order of this song in Johann Sebastian Bach, Mainz Chamber Orchestra, Gunter Kehr's "J.S. Bach: Orchestral Suites Nos. 1-4, BWV 1066-1069" album is number 16 out of 24. On top of that, Hong Kong appears to be the country where this track was created. Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "Air on the G String" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "Air on the G String" by Johann Sebastian Bach, Mainz Chamber Orchestra, Gunter Kehr to be Andante (at a walking pace) because the track has a tempo of 85 テンポ, a half-time of 42テンポ, and a double-time of 170 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Bagatelle in A minor, WoO 59 -"Für Elise" | Ludwig van Beethoven, Alfred Brendel | A Minor | 0 | 8A | 130 BPM | ||
Schindler's List | John Williams | D Minor | 1 | 7A | 110 BPM | ||
Thais: Meditation | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | D Major | 1 | 10B | 86 BPM | ||
Bach, JS: Orchestral Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | F♯ Major | 0 | 2B | 133 BPM | ||
Symphony No.9 In E Minor, Op.95 "From The New World", B.178: 1. Adagio - Allegro molto | Antonín Dvořák, New York Stadium Symphony Orchestra, Leonard Bernstein | E Minor | 3 | 9A | 64 BPM | ||
Orchestral Suite No. 3 in D Major, BWV 1068: Air | Frank Shipway, Royal Philharmonic Orchestra | D Major | 1 | 10B | 78 BPM | ||
String Quintet No. 60 in C Major, Op. 30 No. 6, G. 324 "La musica notturna delle strade di Madrid": V. "Los manolos" Modo di suono, e canto | Luigi Boccherini, Eckart Runge, Cuarteto Casals | G Major | 2 | 9B | 89 BPM | ||
Piano Concerto #1 in B-flat Minor | Various Artists | D Major | 2 | 10B | 112 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: 13. Dance of the Knights | Sergei Prokofiev, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 1 | 8A | 95 BPM |