Ludwig van Beethoven, Alfred Brendel's 'Bagatelle in A minor, WoO 59 -"Für Elise"' came out on January 1, 1985. With this song being around four minutes long, at 3:36, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 16 out of 28 in Beethoven: Für Elise; Eroica Variations, Op.35; 6 Bagatelles Op.126; 6 Ecossaises by Ludwig van Beethoven, Alfred Brendel. Based on our statistics, Bagatelle in A minor, WoO 59 -"Für Elise"'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bagatelle in A minor, WoO 59 -"Für Elise" by Ludwig van Beethoven, Alfred Brendel is Allegro (fast, quick, and bright), since this song has a tempo of 130 テンポ. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rêverie, L. 68 | Claude Debussy, Zoltán Kocsis | D Minor | 0 | 7A | 70 BPM | ||
Piano Sonata No.14 in C-Sharp Minor, Op. 27 No. 2 - "Moonlight": I. Adagio sostenuto | Ludwig van Beethoven, Daniel Barenboim | D♭ Minor | 0 | 12A | 139 BPM | ||
Hungarian Dance No. 5 in F Minor: Allegro | Johannes Brahms, London Festival Orchestra, Alfred Scholz | A Minor | 1 | 8A | 126 BPM | ||
Gymnopédie No. 1 (Orch. Debussy) | Erik Satie, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 67 BPM | ||
Lieder ohne Worte (Songs without Words), Book 1, Op. 19b: No. 1 in E Major, Op. 19, No. 1 | Felix Mendelssohn, Péter Nagy | A Major | 0 | 11B | 85 BPM | ||
Suite bergamasque, L.75: 3. Clair de lune | Claude Debussy, Tamás Vásáry | D♭ Major | 0 | 3B | 131 BPM | ||
Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | ||
10 Preludes, Op. 23: No. 5 Alla marcia in G Minor | Sergei Rachmaninoff, Sviatoslav Richter | E♭ Major | 0 | 5B | 70 BPM | ||
Douze études, Op. 25: No. 1 in A-Flat Major "Aeolian Harp" | Giovanni Umberto Battel | A♭ Major | 0 | 4B | 94 BPM | ||
Canon & Gigue | Johann Pachelbel, Charles Medlam, London Baroque | D♭ Major | 2 | 3B | 125 BPM |