Pyotr Ilyich Tchaikovsky, Arthur Grumiaux, Istvan Hajdu made "6 Pieces, Op. 51, TH.143: 6 Valse sentimentale" available on May 5, 2020. The duration of 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 436 in the song's album "Tchaikovsky for the day". In this album, this song's track order is #237. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale by Pyotr Ilyich Tchaikovsky, Arthur Grumiaux, Istvan Hajdu having a テンポ of 118 with a half-time of 59 テンポ and a double-time of 236 テンポ, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the テンポ of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Prélude in C sharp minor, Op.3, No.2 | Sergei Rachmaninoff, Jorge Bolet | F♯ Minor | 1 | 11A | 97 BPM | ||
Piano Trio in E flat, H.XV No.10: 2. Presto | Franz Joseph Haydn, Beaux Arts Trio | E♭ Major | 2 | 5B | 86 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Joshua Bell, Cleveland Orchestra, Vladimir Ashkenazy | D Major | 1 | 10B | 83 BPM | ||
Concerto for Violin & Orchestra, Op.14: 2. Andante | Samuel Barber, Joshua Bell, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 1 | 3A | 133 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, James Buswell, Royal Scottish National Orchestra, Marin Alsop | E Major | 0 | 12B | 82 BPM | ||
Violin Concerto in A minor, Op. 82: 1. Moderato | Alexander Glazunov, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | F Major | 1 | 7B | 80 BPM | ||
Bériot: Scène de ballet, Op. 100 | Charles-Auguste de Bériot, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | A Major | 2 | 11B | 102 BPM | ||
5 Morceaux de fantaisie, Op. 3: 2. Prelude in C-Sharp Minor | Sergei Rachmaninoff, Vladimir Ashkenazy | A Major | 0 | 11B | 85 BPM | ||
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Melodie | Christoph Willibald Gluck, Sarah Chang, Charles Abramovic | D Minor | 1 | 7A | 92 BPM |