"Spartacus Suite No. 2: Adagio of Spartacus and Phrygia" by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov was released on October 24, 1995. Since Spartacus Suite No. 2: Adagio of Spartacus and Phrygia is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Aram Khachaturian, Andre Anichanov's "Khachaturian, A.I.: Spartacus, Suites Nos. 1- 3" album is number 6 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Spartacus Suite No. 2: Adagio of Spartacus and Phrygia is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Spartacus Suite No. 2: Adagio of Spartacus and Phrygia by Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov to be Andante (at a walking pace) because the track has a tempo of 88 テンポ, a half-time of 44テンポ, and a double-time of 176 テンポ. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walton : Incidental Music to Henry V : 'Touch her soft lips and part' | William Walton, Chamber Orchestra of Europe, Douglas Boyd | C Major | 0 | 8B | 77 BPM | ||
String Quartet No. 62 in C Major, Op. 76, No. 3, Hob.III:77, "Emperor": II. Poco adagio, cantabile | Franz Joseph Haydn, Kodály Quartet | G Major | 0 | 9B | 125 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Intermezzo From Cavalleria Rusticana | Pietro Mascagni, Royal Philharmonic Orchestra, Philip Ellis | F Major | 1 | 7B | 86 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto: Largamente assai | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | E♭ Major | 1 | 5B | 87 BPM | ||
Morceaux de fantaisie, Op. 3: No. 2 Prelude in C-Sharp Minor | Sergei Rachmaninoff, Idil Biret | A Major | 0 | 11B | 133 BPM | ||
Florida Suite: Sunset - Near the Plantation | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | D Major | 0 | 10B | 77 BPM | ||
Gayaneh, Ballet Suite: Gayaneh's Adagio | Aram Khachaturian, Bolshoi Theatre Orchestra, Yevgeny Svetlanov | A Major | 1 | 11B | 105 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Libor Pešek, Slovac Philharmony | E♭ Major | 0 | 5B | 81 BPM | ||
Symphony No. 2, Op. 9, "Antar": IV. Allegretto - Adagio | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | B Major | 2 | 1B | 100 BPM |