"Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra)" by Slovak State Philharmonic Orchestra, Kosice, Anonymous, Jacques Offenbach was released on February 6, 2002. The duration of Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra) is about two minutes long, specifically at 2:10. This song does not appear to have any foul language. Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 18 out of 61 in A Bride's Guide To Wedding Music by Nora Shulman. Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Contes D'hoffmann (The Tales Of Hoffman), Act II: Belle Nuit, O Nuit D'amour, "Barcarolle" (Arr. For Orchestra) by Slovak State Philharmonic Orchestra, Kosice, Anonymous, Jacques Offenbach is Andante (at a walking pace), since this song has a tempo of 79 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Singin' in the Rain | Nacio Herb Brown, Gautier Capuçon, Jerome Ducros, Johanna Malangré, Orchestre national de Bretagne | A♭ Minor | 2 | 1A | 113 BPM | ||
Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Alexander Rudin, Musica Viva | C Major | 0 | 8B | 149 BPM | ||
Concierto De Aranjuez: 1. Allegro Con Spirito | Paco de Lucía, Orquesta De Cadaques | F Major | 4 | 7B | 89 BPM | ||
An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 : An Der Schonen, Blauen Donau (The Beautiful Blue Danube), Op. 314 | Strauss Festival Orchestra, Johann Strauss II | D Major | 0 | 10B | 91 BPM | ||
Concerto Pour Piano ( Fa Mineur ) | Christian Desire Langlade, Saint-Preux | D Minor | 2 | 7A | 118 BPM | ||
Les contes d'Hoffmann (The Tales of Hoffmann): Tales of Hoffman: Intermezzo | Jacques Offenbach, Slovak Radio Symphony Orchestra, Keith Clark | G Major | 1 | 9B | 93 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan | Camille Saint-Saëns, Joshua Bell | G Major | 2 | 9B | 78 BPM | ||
I'll Always Go Back To That Church | Academy of St. Martin in the Fields, Gabriel Yared | D Major | 2 | 10B | 133 BPM | ||
Nocturne No.1 In B Flat Minor, Op.9 No.1 | Frédéric Chopin, Daniel Barenboim | E♭ Minor | 0 | 2A | 79 BPM | ||
Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM |