Paco de Lucía, Orquesta De Cadaques made "Concierto De Aranjuez: 1. Allegro Con Spirito" available on January 1, 1995. Concierto De Aranjuez: 1. Allegro Con Spirito is about six minutes long, preciously at 5:43, making this song fairly long compared to other songs. The song is number 13 out of 25 in Antologia by Paco de Lucía. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Concierto De Aranjuez: 1. Allegro Con Spirito is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Concierto De Aranjuez: 1. Allegro Con Spirito by Paco de Lucía, Orquesta De Cadaques is Andante (at a walking pace), since this song has a tempo of 89 テンポ. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D minor, S. Z799: 1. Andante e spiccato | Alessandro Marcello, Håkan Hardenberger, I Musici | D Minor | 2 | 7A | 78 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | ||
Intermezzo de Atzimba (1900) | Ricardo Castro, Alondra de la Parra, Philharmonic Orchestra of the Americas | G Major | 1 | 9B | 61 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, National Philharmonic Orchestra, Gianandrea Gavazzeni, Giuseppe Patanè | F Major | 2 | 7B | 81 BPM | ||
Obertura De Guillermo Tell (Final) | Gioachino Rossini, Inma Shara | E Major | 6 | 12B | 145 BPM | ||
Zyryab - Instrumental | Paco de Lucía | B Minor | 4 | 10A | 97 BPM | ||
4 Estaciones Portenas (pour guitare): N°.1 Primavera Porteña | Göran Söllscher, Astor Piazzolla | E Minor | 0 | 9A | 129 BPM | ||
Sinfonía No. 3 in F Major, Op. 90: III. Poco allegretto | Johannes Brahms, Orquestra De Cadaqués, Gianandrea Noseda | C Minor | 0 | 5A | 76 BPM | ||
La Flor De La Canela | Paco de Lucía, Ramón Algeciras | A Minor | 8 | 8A | 105 BPM | ||
Koncert Tótánc JH. 1 S Cadaques Zenekar | Joaquin Lara, Orquesta De Cadaques | D Minor | 4 | 7A | 124 BPM |