"The Carnival of the Animals, R. 125: XIII. The Swan" by Camille Saint-Saëns, Joshua Bell was released on October 17, 2003. The duration of The Carnival of the Animals, R. 125: XIII. The Swan is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. The Carnival of the Animals, R. 125: XIII. The Swan's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Romance of the Violin". In this album, this song's track order is #4. The Carnival of the Animals, R. 125: XIII. The Swan is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Carnival of the Animals, R. 125: XIII. The Swan by Camille Saint-Saëns, Joshua Bell having a テンポ of 78 with a half-time of 39 テンポ and a double-time of 156 テンポ, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Largo from Xerxes | George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra | G Major | 1 | 9B | 82 BPM | ||
J.S. Bach: Prelude and Fugue in C major, BWV 846 | London Music Works | D Major | 3 | 10B | 119 BPM | ||
Canon and Gigue in D Major, P. 37, T. 337: I. Canon | Johann Pachelbel, Cantilena, Adrian Shepherd | D Major | 1 | 10B | 121 BPM | ||
8 Pieces, Op. 83 (Arr. for Violin, Viola & Piano): No. 2, Allegro con moto | Max Bruch, Natalia Lomeiko, Yuri Zhislin, Ivan Martin | B Minor | 1 | 10A | 102 BPM | ||
O mio babbino caro from Gianni Schicchi | Giacomo Puccini, Andre Kostelanetz & His Orchestra | A♭ Major | 2 | 4B | 82 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 18 - Live | Sergei Rachmaninoff, Lang Lang, Mariinsky Orchestra, Valery Gergiev | D♭ Major | 1 | 3B | 112 BPM | ||
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | B♭ Major | 0 | 6B | 68 BPM | ||
Cavatina | Stanley Myers, Göran Söllscher | E Major | 0 | 12B | 82 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | A Minor | 1 | 8A | 109 BPM |