Silvius Leopold Weiss, Michel Cardin made "Sonata No. 6 in E-Flat Major, WeissSW 10: III. Courante" available on January 1, 2015. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Weiss: The Complete London Manuscript by Silvius Leopold Weiss, Michel Cardin. The song's track number on the album is #36 out of 231 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. The popularity of Sonata No. 6 in E-Flat Major, WeissSW 10: III. Courante is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
Since Sonata No. 6 in E-Flat Major, WeissSW 10: III. Courante by Silvius Leopold Weiss, Michel Cardin has a tempo of 179 beats per a minute, the tempo markings of this song would be Presto (very, very fast). With Sonata No. 6 in E-Flat Major, WeissSW 10: III. Courante being at 179 テンポ, the half-time would be 90 テンポ with a double-time of 358 テンポ.In addition, we consider the tempo speed to be pretty fast for this song. The time signature for this track is 3/4.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Recercada tercera sobre tenores Italianos, IDO 27, "Passamezzo moderno" | Diego Ortiz, Joel Frederiksen | E Major | 0 | 12B | 126 BPM | ||
Canario | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 1 | 2B | 96 BPM | ||
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Suite in F-Sharp Minor: III. Courante, "La Nonpareille" | Jacques Gallot, Joachim Held | F Major | 1 | 7B | 112 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
Passacaille en sol mineur | Francesco Corbetta, Rolf Lislevand | F♯ Minor | 1 | 11A | 89 BPM | ||
Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 0 BPM | ||
Suonata: Gavotta | Giovanni Zamboni, Edin Karamazov | D♭ Major | 2 | 3B | 80 BPM | ||
Dezilde al Cavallero que | Diego Pisador, Juan Carlos Rivera | F Major | 0 | 7B | 90 BPM | ||
Preludio Secondo | Giovanni Girolamo Kapsberger, Carlos Oramas | F♯ Major | 0 | 2B | 93 BPM |