"Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore" by Thomas Campion, Julianne Baird, Ronn McFarlane was released on January 1, 1989. The duration of Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Vocal and Lute Music (English) - Morley, T. / Campion, T. / Dowland, J. / Ferrabosco Ii, A. / Holborne, A. (Greensleeves) by Julianne Baird. The song's track number on the album is #21 out of 25 tracks. Based on our data, United States was the country where this track was produced or recorded. Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore by Thomas Campion, Julianne Baird, Ronn McFarlane has a tempo of 0 beats per a minute, the tempo markings of this song would be Larghissimo. With Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore being at 0 テンポ, the half-time would be 0 テンポ with a double-time of 0 テンポ.In addition, we consider the tempo speed to be pretty slow for this song.
This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Con que la lavare | Miguel de Fuenllana, Shirley Rumsey | C Minor | 0 | 5A | 91 BPM | ||
Palestrina: Missa Papae Marcelli - 5b. Agnus Dei 2 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 111 BPM | ||
The New Highland ladie | Mr Beck, Ronn McFarlane | B Major | 1 | 1B | 76 BPM | ||
Pavana and Galiarda in F Major, No. 1, " Bray": Galiarda | William Byrd, Ronn McFarlane | F Major | 1 | 7B | 112 BPM | ||
Dos estrellas le siguen | Manuel Machado, Gérard Lesne | G Minor | 2 | 6A | 115 BPM | ||
Tastar de corde | Joan Ambrosio Dalza, Shirley Rumsey | C Minor | 0 | 5A | 82 BPM | ||
Prélude en ré mineur | Robert de Visée, Rolf Lislevand | D♭ Minor | 0 | 12A | 86 BPM | ||
El maestro: Fantasia | Andrés Segovia, Luis de Milán, Ronn McFarlane | B♭ Major | 1 | 6B | 85 BPM | ||
Terpsichore*: Gaillarde | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | C Major | 0 | 8B | 118 BPM | ||
Euridice, Prologo - La Tragedia: Io che d'alti sospir | Jacopo Peri, Ensemble Albalonga, Aníbal E. Cetrangolo, Sylva Pozzer | F Major | 0 | 7B | 98 BPM |