Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia's 'Mystery (Rosary) Sonata No. 2, "The Visitation": I. —' came out on March 4, 2014. With Mystery (Rosary) Sonata No. 2, "The Visitation": I. — being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 42 in Biber: Rosenkrantz Sonaten (Mystery Sonatas) by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen. Mystery (Rosary) Sonata No. 2, "The Visitation": I. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mystery (Rosary) Sonata No. 2, "The Visitation": I. — by Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia is Andante (at a walking pace), since this song has a tempo of 78 テンポ. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto No. 1 in G Major: I. Spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | D Major | 2 | 10B | 112 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Les plaisirs: Bourree pour les Coutisans | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Minor | 1 | 10A | 121 BPM | ||
Fantasy Upon One Note | Henry Purcell, John Holloway, Monika Baer, Renate Steinmann, Susanna Hefti, Martin Zeller | E Major | 1 | 12B | 133 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Violin Sonata in C Major, Wq. 73, H. 504: II. Andante | Carl Philipp Emanuel Bach, Georg Kallweit, Christine Schornsheim | A♭ Minor | 1 | 1A | 88 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
Flute Sonata in E Minor: II. Allegro assai | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 120 BPM | ||
Violin Sonata No. 5: III. Aria e Variatio | Heinrich Ignaz Franz von Biber, Romanesca, Andrew Manze | C Minor | 0 | 5A | 92 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM |